Alison Adburgham
| Alison Adburgham | |
|---|---|
| Born |
28 January 1912 UK |
| Died | 23 May 1997 (aged 85) |
| Occupation | Journalist, author and social historian |
Alison Adburgham (28 January 1912 – 23 May 1997) was a British journalist, author and social historian. She is best known for her work as fashion editor of The Guardian newspaper, a position she held for 20 years. Along with Prudence Glynn of The Times and Alison Settle of The Observer, she was a pioneer of British fashion journalism within the context of a broadsheet national newspaper; as a bylined columnist, she had influence on public perception of trends in clothing, as well as on the industry itself.
Alongside her work in journalism, she was the author of several books about social history.
Alison Adburgham was the daughter of a doctor father and "unnervingly educated mother". She was educated at home before winning a scholarship to Roedean, an independent girls' school near Brighton.
Her first job was as an advertising copywriter, and she also contributed articles about manners and style to Clever Night & Day magazine. She took a break from writing after marrying a copywriter, with whom she had four children.
After the war, Adburgham began contributing articles to Punch and was later given space by The Guardian women's editor Mary Stott. She began covering the fashion collections – newspaper fashion journalism was then in its infancy in the UK – and became expert on both the fashion industry of post-war Europe and on fashion history.
Adburgham's earliest bylined fashion piece (from December 1954) set out her approach to the wider relevance of fashion: "Over the last half-century there has been a complete change of attitude towards dress. Intelligent women no longer feel it is only the unintelligent who are interested in clothes; highbrows no longer ignore high fashion. When the question is asked. 'What has Dior done to us this season?' that pronoun refers to all women; and not least to those who sit on platforms, who are guests at literary luncheons, or who catch the Speaker's eye in the House".
Adburgham could be disapproving of the foibles of fashion. Writing about the latest collection of hats by Reed Crawford in 1964, she said they "beggar description, especially his cocktail confections: high-standing exclamation pieces stuck through with monstrous hat-pins. Funnier hats have appeared in pantomimes, but not much funnier." In a 1967 interview with Mary Quant, later reprinted in 2005, Adburgham grilled the "Swinging London" designer on the line between fashion and vulgarity – also questioning some of the more permissive elements of the 1960s look and asking Quant: "Would you agree that just as there is brutalism in architecture... there is an element of brutalism in fashion today?"
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