Alger "Texas" Alexander
| Texas Alexander | |
|---|---|
| Birth name | Alger Alexander |
| Born |
September 12, 1900 Jewett, Texas, United States |
| Died | April 18, 1954 (aged 53) Richards, Texas, United States |
| Genres | Country blues, Texas blues, blues |
| Instruments | Vocals, guitar |
| Years active | 1927–1950 |
| Associated acts | Lonnie Johnson, Blind Lemon Jefferson, Lightnin' Hopkins |
Alger "Texas" Alexander (September 12, 1900 – April 18, 1954) was an American blues singer from Jewett, Texas. Some sources claim that he was the cousin of Lightnin' Hopkins, but no direct kinship has been established. It has also been asserted that he was the uncle of the Texas country blues guitarist Frankie Lee Sims.
A short man with a big, deep voice, Alexander started his career performing on the streets and at parties and picnics in the Brazos River bottomlands, where he sometimes worked with Blind Lemon Jefferson. In 1927 he began a recording career that continued into the 1930s, recording sides for Okeh Records and Vocalion Records in New York, San Antonio, and Fort Worth.
Songs he recorded include "Mama's Bad Luck Child," "Sittin' on a Log," "Texas Special," "Broken Yo Yo" and "Don't You Wish Your Baby Was Built Up Like Mine?"
His early records for Okeh are notable not only for the originality of his songs but also for the musical motifs against which they are set. On April 9, 1934, Alexander recorded with backing by the Mississippi Sheiks. Their line-up featured Bo Carter on violin and Sam Chatman and Walter Vinson on guitar. The eight tracks recorded included "Seen Better Days" and "Frost Texas Tornado Blues", the latter of which told of the tornado which destroyed Frost, Texas, on May 6, 1930, leaving 41 dead.
Alexander did not play a musical instrument, and over the years he worked with a number of other artists, including King Oliver, Eddie Lang, Lonnie Johnson, Little Hat Jones, the Mississippi Sheiks, J. T. Smith, and Lightnin' Hopkins. He sang in the free rhythm of work songs, such as the migrant cotton pickers he performed for might have sung, which posed a challenge for those accompanying him. His singing is difficult to follow, and on his records his accompanists can often be heard resetting their watches to "Alexander time". Lonnie Johnson devised free-form guitar melodies in counterpoint to Alexander's vocal lines.
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