Alan Stivell
| Alan Stivell | |
|---|---|
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| Background information | |
| Birth name | Alan Cochevelou |
| Born |
6 January 1944 Riom, Auvergne, France |
| Genres | Celtic music |
| Occupation(s) | Singer-songwriter-composer-musician |
| Years active | 1960-present |
| Labels | Keltia III |
| Website | alanstivell |
Alan Stivell (born Alan Cochevelou January 6, 1944 in Riom, Auvergne, France) is a Breton and Celtic musician and singer, recording artist, and master of the Celtic harp. From the early 1970s, he revived global interest in the Celtic (specifically Breton) harp and Celtic music as part of world music. As a Bagpiper and bombard player, he modernized traditional Breton music and singing in the Breton language. He was the precursor of Celtic rock. He is inspired by the union of the Celtic cultures and is a staunch defender of the Breton culture as Eurominority.
Alan Stivell was born in the Auvergnat town of Riom. His father, Georges (Jord in Breton) Cochevelou, was a civil servant in the French Ministry of Finance who achieved his dream of recreating a Celtic or Breton harp in the small town of Gourin, Brittany and his mother Fanny-Julienne Dobroushkess was of Lithuanian-Jewish descent. In 1953, Alan began playing the instrument at the age of nine under the tutelage of his father and Denise Megevand, a concert harpist. Alan also learned Celtic mythology, art, and history, as well as the Breton language, traditional Breton dance, and the Scottish bagpipe and the bombarde, a traditional Breton instrument, from the oboe family. Alan began playing concerts at eleven years and studying traditional Breton, English, Irish, Scottish, and Welsh folk music, also learning the drum, Irish flute, and tin whistle. He competed in, and won, several Breton traditional music competitions in the Bleimor Pipe band. Alan spent his childhood in Paris, with its cosmopolitan influences. But he fell in love with Breton music and Celtic culture, in general, and often went back in his teens to Brittany.
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