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Al Feldstein

Al Feldstein
Al Feldstein.jpg
Al Feldstein by Michael Netzer
Born (1925-10-24)October 24, 1925
Brooklyn, New York
Died April 29, 2014(2014-04-29) (aged 88)
near Livingston, Montana
Area(s) Writer, Artist, Editor
Notable works
Awards
http://www.alfeldstein.com

Albert Bernard "Al" Feldstein (October 24, 1925 – April 29, 2014) was an American writer, editor, and artist, best known for his work at EC Comics and, from 1956 to 1985, as the editor of the satirical magazine Mad. After retiring from Mad, Feldstein concentrated on American paintings of Western wildlife.

Al Feldstein was born October 24, 1925, in Brooklyn, New York, the son of Max, who made dental molds, and Beatrice Feldstein. After winning an award in the 1939 New York World's Fair poster contest, he decided on a career in the art field and studied at the High School of Music and Art in Manhattan. While in high school, he was hired by Jerry Iger to work in the S. M. Iger Studio, a packager of comic-book stories supplying outsourced content to publishers entering the new medium. He recalled,

...running errands, erasing pages and doing general gofer work after school for three dollars a week (later raised to five...then twelve over the Summer, full time!). ... It was there (at the Iger Studio) that I began to learn to do comic-book art — first, by inking backgrounds, then penciling and inking backgrounds, then inking figures penciled by others,then penciling and inking figures, and finally doing whole pages from beginning to end.

His earliest background art was for Sheena, Queen of the Jungle.

After graduating from high school he attended the Art Students League. Feldstein freelanced art for comic books, including Fox Comics. Feldstein recalled that Bob Farrell, whom he considered a "wheeler-dealer" driving a convertible Cadillac, introduced him to Victor Fox in return for a commission from all payments Fox made to him. Feldstein rewrote Farrell's scripts for Fox and produced the art for the stories. He described Fox as the "typical exploiting comic book publisher of his day, grinding out shameless imitations of successful titles and trends" and mistreating his writers and artists.


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