Agostino Bonalumi
| Agostino Bonalumi | |
|---|---|
Agostino Bonalumi
|
|
| Born |
July 10, 1935 Vimercate |
| Died | September 18, 2013 (aged 78) Desio, Italy |
| Nationality | Italian |
| Known for | Painting, Sculpture |
Agostino Bonalumi (July 10, 1935, Vimercate – September 18, 2013, Desio) was an Italian painter, draughtsman and sculptor.
Bonalumi studied technical and mechanical drawing, and exhibited his first works at the “Premio Nazionale Città di Vimercate” (hors concours) in 1948, when he was just thirteen years old.
He held his first solo show at the Galleria Totti, Milan, in 1956. In 1958 he began working with Enrico Castellani and Piero Manzoni, holding a group exhibition at the Galleria Pater, Milan, which was followed by further shows in Rome, Milan and Lausanne, the foundation of Azimuth magazine and his participation in exhibitions at the Azimut gallery.
He started developing the idea of what he would call “pittura – oggetto” (painting-object), following the idea to go beyond the canvas started by their mentor Lucio Fontana. In 1959 he held his first solo show outside Italy in Rotterdam. In 1960 he was one of the founders of the international Nouvelle École Européenne (NEE) movement in Lausanne and his solo exhibition “Agostino Bonalumi. Recent Paintings, Sculptures and Drawings” opened at the New Vision Centre Gallery in London.
Arturo Schwarz began collecting his works and, in February 1965, organised a Bonalumi exhibition in his gallery in Milan.
He had strong links with the German art scene, thanks to the interest of Udo Kultermann in his work (since 1960) and his collaboration with the Galerie M.E. Thelen in Essen.
He also had assiduous contacts and links with the international Zero movement (both in the Netherlands and Germany), documented by major exhibitions such as “Zero” in London, 1964, and the touring exhibition “ZERO Avantgarde”, which began in Lucio Fontana’s studio in Milan in 1965. 1965 marked the start of a long period of collaboration with Renato Cardazzo, director of the Galleria del Cavallino in Venice and the Galleria del Naviglio in Milan. He was Bonalumi’s sole agent for many years and, in 1973, supervised the publication of a lengthy monograph on the artist by Edizioni del Naviglio, written by Gillo Dorfles.
In 1966 he was invited to take part in the 33rd Venice Biennale, where he exhibited a selection of his works in the same room as Paolo Scheggi, while in 1970 he had his own personal room at the 35th Venice Biennale (and a feature written on him in the catalogue by Luciano Caramel), in which he also installed some large environmental sculptures.
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Wikipedia