Abbreviation | AAFCA |
---|---|
Formation | 2003 |
Type | Film criticism |
Location | |
Official language
|
English |
Website | www |
The African-American Film Critics Association (AAFCA) is a group of African-American film critics that give various awards for excellence in film at the end of each year.
The association was founded in 2003 by Gil L. Robertson IV and Shawn Edwards. They met in New York City after a press junket and were both concerned with the lack of themed stories in the film industry from the African Diaspora. In several weeks, the two of them were supported by other colleagues in their plan to create an association of black film critics. They drafted the initial outline for the association while in Los Angeles. In December 2003, the African-American Film Critics Association officially announced the start of its organization and released its first “Top Ten List.”
The association actively reviews cinema overall, but highlights films about the African-American experience. The AAFCA produces awareness for films with widespread appeal to the black community while stressing the importance of films produced, written, directed and starring people of African descent. Members also involve themselves in advocacy work for students interested in film journalism and criticism.
The organization gives out awards for a variety of categories. Best Feature Film, Best Documentary, Best Actress, Best Actor, Best Supporting Actress, Best Supporting Actor, Best Director, Best Foreign Film, Best Screenplay, and Best Original Song. The AAFC also gives out an award for Special Achievement which has been received by Jamie Foxx, John Singleton, as well as Spike Lee.
Members of AAFCA are a geographically diverse range of journalists who cover every genre of film and represent numerous mediums such as television, radio broadcast, online, and print. Membership into the AAFCA is by invitation only with approval of the Board of Governors.
There are three classifications for membership in the AAFCA; active member, associate member, and student. An active member is one who writes regular film criticism for a medium with a minimum of 24 to qualify and must be based in the United States. Once accepted the active member must have a constant presence in the critique of commercial American films. An associate member is one who writes regular film coverage for a medium and must express their affiliation with an established media body by providing a written letter on company letterhead. Finally, a minimum of twelve samples of film critique is needed for consideration. A student member is one who is attending an accredited college or university and is majoring in journalism or broadcast media.
Panel discussions led by an AAFCA member are also offered by the association. One such panel is about the concept of diversity in modern films. It accentuates an understanding that each individual is special and different. The differences may run along lines of race, ethnicity, gender socio-economic status, physical abilities, sexual orientation, age, physical abilities, religious beliefs, political beliefs, or other ideologies. The panel explores the role cinema plays in understanding one another and to go beyond a simplistic message of tolerance to one of celebrating and acceptance of the plentiful dimensions of diversity in every person.