Aeolian Quartet

The Aeolian Quartet was a highly reputed string quartet based in London (UK), with a long international touring history and presence, an important recording and broadcasting profile. It was the successor of the pre-War Stratton Quartet. The quartet adopted its new name in the late 1940s and disbanded in 1981.

Before 1953 the leader of the Aeolian Quartet is listed as Alfred Cave.

During the 1950s the Quartet had the following celebrated line-up:

In 1970 Emanuel Hurwitz took over as first violin, the remaining members staying with the quartet.

The Stratton Quartet flourished in the 1920s and 1930s. George Stratton, the leader, found it increasingly difficult to lead the London Symphony Orchestra as well as the Stratton Quartet, and so the Aeolian came into being.

The Stratton Quartet performed under that name at the National Gallery frequently during the war, and in 1946 the group attended the first International Music Festival at Prague. At about that time the new name was adopted. Both Watson Forbes and John Moore, the violist and cellist, had been members of the Stratton Quartet. The Aeolian Quartet leader was Alfred Cave, for recordings made before 1953 of Peter Warlock's The Curlew with Leon Goossens and tenor René Soames and Purcell Fantasias which they recorded with future member Emanuel Hurwitz.

It was, however, under the leadership of Sydney Humphreys that the 1950s formation of the ensemble was particularly remembered. Humphreys, a Canadian violinist, studied in Vancouver and Toronto and in Europe trained with Frederick Grinke and George Enescu. He was leader of the Aeolian Quartet from 1952–1970. He was eminent both as a concertmaster and as a chamber player, notably in the St Cecilia Trio 1954-1965 and as first violin in the Purcell String Quartet 1979–1987.

Emanuel Hurwitz (leader) won a scholarship to the Royal Academy of Music in a contest adjudicated by Bronislaw Huberman. In 1937 he was a member of the Scottish National Orchestra under Georg Szell, and in 1938 joined the London Philharmonic under Thomas Beecham. After the war he formed the Hurwitz string quartet, and led the small orchestra in the Glyndebourne premiere of Britten's The Rape of Lucretia. He was sub-leader of the Boyd Neel orchestra under Maurice Clare, and during the 1950s and 1960s leader of the Melos Ensemble and of the English Chamber Orchestra, which he led to international recognition. In 1965 won the Worshipful Company of Musicians' Gold Medal for services to chamber music. He was guest leader for two seasons of the New Philharmonia Orchestra working with Carlo Maria Giulini and Otto Klemperer. He became leader of the Aeolian Quartet in 1970.

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