Adriana Calcanhoto
| Adriana Calcanhotto | |
|---|---|
_-_2008.jpg) |
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| Background information | |
| Birth name | Adriana da Cunha Calcanhotto |
| Born |
3 October 1965 Porto Alegre, Rio Grande do Sul, Brazil |
| Genres | MPB |
| Occupation(s) | Singer-songwriter, composer |
| Instruments | Vocals, guitar |
| Years active | 1984–present |
| Website | http://www.adrianacalcanhotto.com |
Adriana Calcanhotto (born October 3, 1965) is a Brazilian singer and composer. Her melancholic songs are often categorized as belonging to the MPB genre. She began her professional career in 1984 and released her first studio album in 1990.
Born from musician Carlos Calcanhotto (originally Calcagnotto) of Italian origin from Volpago del Montello, Veneto, and from a Brazilian dancer. Adriana's first album, called Enguiço, was released in 1990 and consisted mostly of covers of well known MPB (Brazilian pop) songs, part of the repertoire she used to perform as a singer in restaurants and bars in Porto Alegre. It included only one original composition, the title track. It spawned her first hit, a cover of Caetano Veloso's Naquela Estação, which became successful thanks to it being included in the soundtrack of the primetime soap Rainha da Sucata, one of the most watched in history of Brazilian television.
1992 saw the release of Senhas, which included the hits "Mentiras" and "Esquadros" and was followed by a successful national tour. In 1994, Adriana, sporting a new look (short black hair as opposed to the slightly longer bright blond haircut she'd had since the beginning of her career) released A Fábrica do Poema, considered by many to be her most poetic album. She collaborated with lyricists like Waly Salomão and António Cícero (brother and constant musical partner of fellow singer Marina Lima) and included the hits "Metade" and "Inverno". This was followed by Maritmo (a combination of the words marítimo (maritime) and ritmo (rhythm)), a concept album intended as the first part of a trilogy having water as a main theme.
At the turn of the millennium, Adriana experienced the peak of her career with the release of the album Público in 2000. Her first live album/DVD, Público was recorded in a voz-e-violão (voice and guitar) style, meaning there was no band, only the singer playing her acoustic guitar, an instrument which has followed her through her entire career. The album included a cover of the staple torch song Devolva-me, made famous by the duo Lilian & Renato back in the 1960s. This album was followed by her first greatest hits compilation, Perfil (the success of this album prompted her record company to make it a series, releasing compilations of the same title by such artists as Cássia Eller, Zélia Duncan and Djavan). Another album of new material wouldn't be released until 2002, when the singer released "Cantada". In the meantime, Adriana toured Europe and Japan (as she has done many times since).
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