Adiemus II: Cantata Mundi

Adiemus /ædiˈeɪməs/ is a series of vocalise-style albums by Welsh composer Karl Jenkins. It is also the title of the opening track called "Adiemus" on the first album in the series, Songs of Sanctuary.

Each Adiemus album is a collection of song-length pieces featuring harmonised vocal melody against an orchestra background. There are no lyrics as such, instead the vocalists sing syllables and "words" invented by Jenkins. However, rather than creating musical interest from patterns of phonemes (as in scat singing, or in numerous classical and crossover compositions), the language of Adiemus is carefully stylised so as not to distract the listener's attention from the pitch and timbre of the voice. Syllables rarely end in consonants, for example. In this respect it is similar to Japanese and several other languages. The core concept of Adiemus is that the voice should be allowed to function as nothing more than an instrument, an approach that was a trend in some New Age and World Music choral writing in the mid to late 1990s (compare, for example, Vangelis's score for the film 1492: Conquest of Paradise (1992), or Dogora, a symphonic suite by French composer Étienne Perruchon).

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