Aco Sopov Aco Šopov Ацо Шопов |
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A portrait of Aco Šopov
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Born |
Štip, Kingdom of Yugoslavia |
December 20, 1923
Died | April 20, 1982 Skopje, SFR Yugoslavia |
Occupation | poet, translator, editor, diplomat |
Genre | Southeastern Europe contemporary poetry |
Spouse | Svetlana Šopova |
Aco Šopov (Macedonian: Ацо Шопов, [at͡sɔ ˈʃɔpɔf], Štip, 1923 - Skopje, 1982) is a Macedonian poet. He is considered one of the most important poets of Yugoslavia. He took part in World War II in Yugoslavia (1941–45) and his poems written at the time were published as Pesni (Poems) in Belgrade and Kumanovo in 1944, and in Štip the following year. Pesni was the first poetry collection published in the Macedonian language in SR Macedonia after the war.
Šopov was member of the Macedonian Academy of Sciences and Arts (1967) and corresponding member of the Serbian Academy of Sciences and Arts (1968).
He graduated from the philosophy department of the University in Skopje and the Higher Political School in Belgrade. He was president of the Translators’ Union and the Writers’ Union of the Socialist Republic of Macedonia in the 1950s and 1960s, and of the Writers’ Union of Yugoslavia from 1965 to 1969. From 1970 to 1977 he was a diplomat.
His childhood was haunted by the specter of incurable disease, death, sadness, and loneliness - themes that would later permeate his poetry. He referred to his youth as the "Hundred-headed monster." When he was just eleven years old, his mother, whom he had cared for alone, died prematurely of a serious illness . He began writing poetry in a school notebook at the age of fourteen.
In 1943, at the age of 19, Aco Šopov became engaged in the Yugoslav Partisans' resistance to the Nazi occupying forces. He continued writing poetry during this period and found his subject matter in his own experience. He proved to be a highly personal poet even when chronicling events of a social or patriotic nature, as when describing the death of a much-loved woman and fellow partisan, Vera Jocić.
With his poetry book Stihovi na makata i radosta (Verses of Suffering and Joy), Šopov moved away from socialist realism. Because of this departure in the early 1950s, Šopov's poetry was initially criticized but came to be recognized several years later.