Acid punk
| Neo-psychedelia | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 1970s, United States and United Kingdom |
| Subgenres | |
| Local scenes | |
| Other topics | |
Neo-psychedelia is a broad subgenre of alternative/indie rock that originated in the 1970s as an outgrowth of the British post-punk scene. Its practitioners drew from the unusual sounds of 1960s psychedelic music, either updating or copying the approaches from that era. After the post-punk bands, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques. Neo-psychedelia may also include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments. A wave of British alternative rock in the early 1990s spawned the subgenres dream pop and shoegazing.
Neo-psychedelic acts borrowed a variety of elements from 1960s psychedelic music. Some emulated the psychedelic pop of bands like the Beatles and early Pink Floyd, others adopted Byrds-influenced guitar rock, or distorted free-form jams and sonic experimentalism of the 1960s. Some neo-psychedelia has been explicitly focused on drug use and experiences, and like acid house of the same age, projects transitory, ephemeral, and trance-like experiences. Other bands have used neo-psychedelia to accompany surreal or political lyrics.
In the view of author Erik Morse: "The distinctions between British and American neo-psychedelia were best described as the differences between primitivism and primalism. The sounds of American neo-psychedelia emphasized the cryptic margins of avant-rock, incorporating evanescent textures over an immutable bassline, producing a 'heavy' metallic ambience, contra-distinct to the sing-song filigree of British psychedelia".
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