The Studio (1881) by Marie Bashkirtseff
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Type | Art school |
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Active | 1867 | –1968
Founder | Rodolphe Julian |
Location | Paris, France |
The Académie Julian (French pronunciation: [akademi ʒyljɑ̃]) was a private art school for painting and sculpture founded in Paris, France, in 1867 by French painter and teacher Rodolphe Julian (1839–1907) that was active from 1868 through 1968. It remained famous for the number and quality of artists who attended during the great period of effervescence in the arts in the early twentieth century. After 1968 it integrated with ESAG Penninghen .
Rodolphe Julian established the Académie Julian in 1868 at the Passage des Panoramas, as a private studio school for art students. The Académie Julian not only prepared students to the exams at the prestigious École des Beaux-Arts, but offered independent alternative education and training in arts. "Founded at a time when art was about to undergo a long series of crucial mutations, the Academie Julian played host to painters and sculptors of every kind and persuasion and never tried to make them hew to any one particular line".
In 1880, women who were not allowed to enroll for study to the École des Beaux-Arts, were accepted by the new Académie Julian. Foreign applicants who had been deterred from entering the Ecole des beaux arts by a drastic French language examination were welcome at the Académie Julian. Men and women were trained separately, and women participated in the same studies as men, including drawing and painting of nude models. "Human exchange went forward in an atmosphere that was collegial, easygoing and mutually supportive. It nurtured some of the best artists of the day".
Académie Julian became popular as fertile ground with French as well as foreign students from diverse backgrounds from all over the world, from the United Kingdom, Canada, Hungary. and particularly the United States; French art critic Egmont Arens wrote in 1924 that American art, at least for a period of time, reflected the teachings of Académie Julian. In 1989, on the occasion of the exhibition at the Shepherd Gallery, in Manhattan, devoted to the Academie Julian in Paris as it existed between 1868 and 1939, John Russell wrote: