A Web of Sound
| A Web of Sound | ||||
|---|---|---|---|---|
 |
||||
| Studio album by The Seeds | ||||
| Released | October 1966 | |||
| Recorded | 5 July - 29 July 1966, RCA Victor and Columbia Studios, Hollywood, California, United States | |||
| Genre | Garage rock, psychedelic rock, proto-punk, acid rock | |||
| Label | GNP Crescendo | |||
| Producer | Marcus Tybalt | |||
| The Seeds chronology | ||||
|
||||
| Singles from A Web of Sound | ||||
|
||||
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |
  (reissue) |
A Web of Sound is the second studio album by the American garage rock band the Seeds. Produced by Marcus Tybalt and released in October 1966, it contained the single "Mr. Farmer" and the 14-minute closing song "Up In Her Room". The album did not chart, though it has received generally favorable reviews from music critics.
Lead singer Sky Saxon conceptualized the album's cover design depicting the four Seeds members trapped in a spider's web. A Web of Sound was produced by Saxon under the pseudonym Marcus Tybalt; Saxon also wrote or co-wrote all of the songs on the album (two credited under the Tybalt alias), as well as the liner notes. Side one consists of six tracks, beginning with the single "Mr. Farmer" and continuing with other garage rock-sounding songs, most of them short in duration. Side two contains only two songs, including the 14-minute closer "Up In Her Room", which features bottleneck guitar, electric fuzz-bass, electric piano, tambourine, and drums.
Released in October 1966, A Web of Sound did not receive much attention in the United States for several months until after the band's "Pushin' Too Hard", a song from their self-titled debut album, was re-released and entered the Billboard Hot 100 singles chart.
Pete Johnson, in a 1967 Los Angeles Times review, stated that with A Web of Sound, the Seeds had "been adopted by the hippies – the flower children – because of their open-ended songs which generally skirt neatly plotted thoughts and didacticism." Some contemporary music critics compare album track "Up In Her Room" to The Velvet Underground song "Sister Ray", which was released a year later. In the book All Yesterdays' Parties: The Velvet Underground in Print, 1966-1971, author Clinton Heylin wrote that "both songs work much the same way [...] listening to them is humming in a room where another dozen people are humming also, in a constant pitch, never varying, unchanging."
...
Wikipedia