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A Pest in the House

A Pest in the House
Merrie Melodies (Daffy Duck/Elmer Fudd) series
Directed by Chuck Jones
Produced by Edward Selzer
Story by Tedd Pierce
Michael Maltese
Voices by Mel Blanc
Arthur Q. Bryan
Music by Carl Stalling
Animation by Ben Washam
Ken Harris
Basil Davidovich
Lloyd Vaughan
Layouts by Richard Morley
Backgrounds by Richard Morley
Studio Warner Bros.
Distributed by Warner Bros. Pictures
Release date(s) August 2, 1947 (USA)
Color process Technicolor
Running time 7 minutes (one reel)
Language English

A Pest in the House is an animated short film released on August 2, 1947. It is directed by Chuck Jones and stars the characters of Daffy Duck and Elmer Fudd. The title is an appropriate play on "a guest in the house." The film is notable for featuring a sort of "in-between" interpretation of Daffy. He is not necessarily the zany, impish interpretation used famously by Tex Avery and Bob Clampett, nor is he the greedy, self-centered version that Chuck Jones later popularized in the 1950s. As Paul Dini said in the DVD audio commentary for this cartoon: "[In this cartoon, Daffy] is really kind of almost like a sprite. He's just a little, almost elfin creature who's not really out to hurt anybody or has any ill will or malice toward anybody. He's just completely out of his mind."

It was only one of three non-Bugs Bunny cartoons from 1947 not to be reissued. The others were Catch as Cats Can and Mexican Joyride.

The cartoon was followed up in 1948 by Daffy Duck Slept Here, wherein Daffy (this time as a fellow guest) again doesn't let a hotel patron sleep - in this case Porky Pig

The cartoon starts with a brief narration describing a labor shortage that "became so bad" that compels employers to hire "anybody or anything". Daffy is a hotel bellboy and Elmer Fudd is the manager. Elmer tells Daffy to take a customer to room 666. The customer (voiced by Arthur Q. Bryan, in his natural voice) asks for peace and quiet, and suddenly threatens to punch Elmer right in the nose if he's disturbed at any time.

Daffy, in a Jerry Colonna-like sarcastic aside to the audience, remarks: "Likable chap, isn't he?" Daffy does many stunts that keep the man awake, complete with escorting him to room 666. Every time he is awakened again, the increasingly irritated man trudges to the lobby, to the tune of "Pop Goes the Weasel", and at the second where the song says "pop", he punches Elmer in the face.


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