Tedd Pierce
| Tedd Pierce | |
|---|---|
| Born |
Edward Stacey Pierce III August 12, 1906 |
| Died | February 19, 1972 (aged 65) |
| Nationality | American |
| Occupation | Animator |
| Years active | 1936 – 1972 |
Edward Stacey "Tedd" Pierce III (August 12, 1906 – February 19, 1972) was an American animator.
Pierce spent the majority of his career as a writer for the Warner Bros. "Termite Terrace" animation studio, working alongside fellow luminaries such as Chuck Jones and Michael Maltese. Pierce also worked as a writer at Fleischer Studios from 1939 to 1941. Jones credited Pierce in his autobiography Chuck Amuck: The Life and Times of an Animated Cartoonist (1989) as being the inspiration for the character Pepé Le Pew, the haplessly romantic French skunk due to Pierce's self-proclamation that he was a ladies' man.
In early credits, his name was spelled "T-E-D". He was said to have added an extra "D" to his name as a way of lampooning puppeteer Bil Baird when he dropped one of the "L"s from his first name.
He contributed (with Bill Danch) the story of the Tom and Jerry short Tall in the Trap (1962), directed by Gene Deitch. Originally the short would have starred Sylvester the cat and Speedy Gonzales and would have been directed by Robert McKimson. However, McKimson disapproved of the storyline, and decided not to use it. Instead, Pierce sold it to Danch and Deitch, who were desperately looking for suitable storylines for Tom and Jerry.
In his Warners career, Pierce worked with three of the three best-known Warner animation directors (Jones, McKimson and Friz Freleng). He contributed many storylines for them, including Freleng's Hare Do (1949), Bad Ol' Putty Tat (1949), Bunker Hill Bunny (1950) and Big House Bunny (1950); Jones' Hare Tonic (1945, an early success for both of them) and Broom-Stick Bunny (1956); and McKimson's Hillbilly Hare (1950), Lovelorn Leghorn (1951) and Cat-Tails for Two (1953), the last of which was Speedy Gonzales' first appearance. Because much of Pierce's Termite Terrace career was spent with McKimson's unit, however, it would follow that Pierce was generally overshadowed by his contemporaries as story writers at Warners, Warren Foster and Michael Maltese.
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