20 Jazz Funk Greats | ||||
---|---|---|---|---|
Studio album by Throbbing Gristle | ||||
Released | December 1979 | |||
Recorded | August 1979 | |||
Genre | ||||
Length | 42:23 | |||
Label | Industrial | |||
Producer | Sinclair/Brooks | |||
Throbbing Gristle chronology | ||||
|
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
AllMusic | |
Pitchfork | 10/10 |
Uncut | 8/10 |
20 Jazz Funk Greats is the third studio album by British industrial music group Throbbing Gristle, released in December 1979 by the band's label Industrial Records. It has been hailed as the band's best work, with UK magazine Fact naming it the best album of the 1970s.
20 Jazz Funk Greats is the band's first fully studio album, as prior albums contained both live and studio recordings. The production is credited to "Sinclair/Brooks". The album was recorded on a 16-track borrowed from Paul McCartney after Peter Christopherson had worked on artwork for McCartney.
Pitchfork wrote that "20 Jazz Funk Greats finds the band waking up from D.O.A's dark night of the soul and feeling curiously frisky. Snacking on not only the titular funk and jazz, the band also takes touristic zig zags through exotica, rock and disco", ultimately describing it as a "kitsch detour toward mutant disco".Uncut Magazine wrote that "musically, it turned away from the precipice; not exactly jazz and funk, but sublimating TG’s noise elements within electronic rhythms and proto-exotica."Dusted Magazine described the album as "a deliberate attempt to toy with the ideas behind marketing strategy and the purpose of musical genres."
The album was produced using electronic musical instruments and effects units, primarily from Roland and Boss. Roland equipment included a SRE-555 Chorus Echo effects unit, SH-7 Synth, CSQ 100 music sequencer, CR-78 CompuRhythm drum machine, System-100M (M-191J) modular synthesizer rack, and 100M M-181 electronic keyboard. Boss equipment included a PH-1 phaser effects pedal, DR-55 Dr. Rhythm drum machine, KM-4 mixer, CE-2 Chorus pedal, and BF-2 Flanger. Other equipment used include a Simmons ClapTrap, Auratone 5C speakers, JVC amplifier, TEAC cassette deck, Seck 6-2 audio mixer, and Casio M10 keyboard.