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Exotica


Exotica is a musical genre, named after the 1957 Martin Denny album of the same title, popular during the 1950s to mid-1960s, typically with suburban Americans who came of age during World War II. The musical colloquialism exotica means tropical ersatz good, the non-native, pseudo experience of insular Oceania, Southeast Asia, Hawaii, Amazonia, the Andes and tribal Africa. Denny described the musical style as "a combination of the South Pacific and the Orient...what a lot of people imagined the islands to be like...it's pure fantasy though." While the South Seas forms the core region, exotica reflects the "musical impressions" of every place from standard travel destinations to the mythical "shangri-las" dreamt of by armchair safari-ers.

Les Baxter's album Ritual of the Savage (Le Sacre du Sauvage) was released in 1952 and would become a cornerstone of exotica. This album featured lush orchestral arrangements along with tribal rhythms and offered such classics as "Quiet Village", "Jungle River Boat", "Love Dance", and "Stone God." Ritual is the seminal Exotica record, influencing all that came after it. As the 1950s progressed, Baxter carved out a niche in this area, producing a number of titles in this style including "Tamboo!" (1956), "Caribbean Moonlight" (1956), "Ports of Pleasure" (1957), and "The Sacred Idol" (1960). Baxter claimed Ravel and Stravinsky as influences on his work.

In 1957, Martin Denny covered Les Baxter's "Quiet Village", with exotic bird calls and a vibraphone instead of strings, which established the sound of the Polynesian styled music. The song reached #2 on Billboard's charts in 1959 with Denny's Exotica album reaching #1. Soon the new technology of stereo further opened up the musical palettes of Denny and other prominent exotica artists such as Arthur Lyman and Juan García Esquivel.


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