10,000 Days | ||||
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Studio album by Tool | ||||
Released | May 2, 2006 | |||
Recorded | August–December 2005 | |||
Studio | O'Henry Studios in Burbank, California, Grandmaster Studios and The Loft in Hollywood | |||
Genre | ||||
Length | 75:52 | |||
Label |
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Producer | Tool | |||
Tool chronology | ||||
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Singles from 10,000 Days | ||||
Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 68/100 |
Review scores | |
Source | Rating |
AllMusic | |
Drowned in Sound | 8/10 |
IGN | 8.5/10 |
Pitchfork Media | (5.9/10) |
PopMatters | 6/10 |
Rolling Stone | |
The Skinny | |
Sputnikmusic | 3.5/5 |
Stylus Magazine | 33/100 |
Tiny Mix Tapes |
10,000 Days is the fourth studio album by American rock band Tool. The album was released by Tool Disectional and Volcano Entertainment on April 28, 2006 in parts of Europe, April 29, 2006, in Australia, May 1, 2006 in the United Kingdom, and on May 2, 2006 in North America. Recording took place at O'Henry Studios in Burbank, California, The Loft, and Grandmaster Studios (both in Hollywood, California). It marked the first time since recording 1993's Undertow that the band had worked at Grandmaster and without producer David Bottrill. It was mixed at Bay 7 in North Hollywood, California and mastered at Gateway Mastering Studios in Portland, Maine. 10,000 Days spawned three singles: "Vicarious", "The Pot" and "Jambi".
It debuted at number 1 on the Billboard 200 chart, with first week sales of 564,000 copies. By the end of 2007 the album had sold 2.5 million copies worldwide, and was awarded a Platinum certification by the RIAA.
The album would become the band's last release in over a decade.
The album was recorded at O'Henry Studios in Burbank, California, as well as at The Loft and Grandmaster Studios in Hollywood, California. It was mixed at Bay 7 in North Hollywood, CA and mastered at Gateway Mastering Studios in Portland, Maine. The June 2006 issue of Guitar World (released April 11, 2006) featured an interview with guitarist Adam Jones discussing the new album. Jones explained that recording techniques for the album involved the use of a "pipe bomb microphone" (a guitar pickup mounted inside a brass cylinder), and a talk box guitar solo on the song "Jambi". The "pipe bomb microphone" and other studio related information was further detailed in the June 1, 2006 issue of Mix. Drummer Danny Carey operated many of the sound effects on the interlude tracks on the album using electronic drums called Mandalas.