(the) New Release | ||||
---|---|---|---|---|
Studio album by Primer 55 | ||||
Released | August 14, 2001 | |||
Recorded | Early 2001 | |||
Genre | ||||
Length | 44:58 | |||
Label | Island | |||
Producer | Bobby Burns Eddie Wohl |
|||
Primer 55 chronology | ||||
|
||||
Singles from (the) New Release | ||||
|
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
Allmusic |
(the) New Release is the second and final studio album by American nu metal band Primer 55. Released on August 14, 2001, the album peaked at #1 on the Billboard Heatseekers chart and #102 on the Billboard 200. It had one single, "This Life," which peaked at #37 on Mainstream Rock Tracks. This would be the band's only record with Island Records who allegedly cut support shortly after the album's release.
Primer 55 had underdone various lineup changes preceding and during the recording process of (the) New Release. After the band's first eighteen months of touring, guitarist Bobby Burns started writing the band's second major label album. He played all guitars and bass in the studio and brought in ex-Helmet drummer John Stanier. While in the studio, Burns also began talks with drummer Preston Nash of Dope with whom Primer 55 had previously toured. By May 2001, the band had officially recruited former Cut.Love.Kill bassist Chris Sprinkle but mere weeks later announced Kobie Jackson as their new bassist
Whereas the band's major label debut, Introduction to Mayhem, boasted strong hip hop tendencies, (the) New Release demonstrated a broader variety with bluesy vocals, saxophone, and piano scattered throughout. Regarding the band's new musical direction, Bobby Burns stated "I just grew very, very sick of the whole music scene last year... All the plastic bands that were put together by record companies, etc. I didn't want to hear any of that music any longer... So I didn't... I went back to what was real to me and what made me feel good growing up... Sabbath, Zeppelin, and Kiss... Back then you could tell all those bands apart, and music of today just sounds like the same records made over and over with all the same guitar sounds and shit."