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The Vagabond Lover

The Vagabond Lover
The Vagabond Lover.jpg
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Directed by Marshall Neilan
Produced by William LeBaron
Written by James Ashmore Creelman
Starring Rudy Vallee
Sally Blane
Marie Dressler
Charles Sellon
Music by Victor Baravalle (music director)
Harry M. Woods (songwriter)
Cinematography Leo Tover
Edited by Arthur Roberts
Production
company
Distributed by RKO Radio Pictures
Release date
  • November 26, 1929 (1929-11-26) (Premiere-New York City)
  • December 1, 1929 (1929-12-01) (US)
Running time
65 minutes
Country United States
Language English
Budget $204,000
Box office $756,000

The Vagabond Lover is a 1929 American Pre-Code black-and-white, comedy-drama musical film about a small-town boy who finds fame and romance when he joins a dance band. The film was directed by Marshall Neilan, and is based on the novel of the same name, written by James Ashmore Creelman, who also wrote the screenplay. It was Rudy Vallee's first feature film, and also starred Sally Blane, Marie Dressler, and Charles Sellon.

The film premièred in New York City on November 26, 1929, and was released wide on December 1. A DVD version was released on March 29, 2005. The Vagabond Lover is an early example of a vehicle created for a popular music star, in a style echoed by later films such as Jailhouse Rock with Elvis Presley and A Hard Day's Night with The Beatles.

Rudy Bronson is a senior in a small college in the Midwest. While in school, he completes a correspondence course in the saxophone, given by the nationally known Ted Grant. Bronson and his friends form a band, but have difficulty finding work. Believing that Grant will help them land professional jobs, the band heads to the Long Island, New York home of Grant. Once there, they pester Grant for an interview, to the point where Grant leaves his home, along with his manager, to stay in New York City, until Bronson gives up and goes home.

After Grant has left, his next door neighbor, Mrs. Whitehall, grows suspicious of the unknown young men hanging around his house. Thinking they might be burglars, she calls the police. Whitehall and her niece, Jean, go over to Grant's house to confront Bronson. Thinking quickly, one of Bronson's friends introduce him as Ted Grant, who Whitehall, despite being neighbors, has never met. The police are still suspicious, but when Bronson and his band plays for them, they believe he is Grant. In fact, Whitehall is so impressed, and slightly embarrassed over having called the police, that she hires Bronson's band to play at a charity concert.


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