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The Passenger (1975 film)

The Passenger
The passenger 1975 poster.jpg
US theatrical poster
Directed by Michelangelo Antonioni
Produced by Carlo Ponti
Written by Mark Peploe
Michelangelo Antonioni
Peter Wollen
Starring Jack Nicholson
Maria Schneider
Steven Berkoff
Ian Hendry
Jenny Runacre
Music by Ivan Vandor
Cinematography Luciano Tovoli
Edited by Michelangelo Antonioni
Franco Arcalli
Production
company
Compagnia Cinematografica Champion
CIPI Cinematografica
Les Films Concordia
Metro-Goldwyn-Mayer
Distributed by Metro-Goldwyn-Mayer
United Artists
Release date
  • 28 February 1975 (1975-02-28) (Italy)
  • 9 April 1975 (1975-04-09) (US)
Running time
119 minutes
126 minutes (extended 2005 version)
Country Italy
Spain
France
Language English
German
Spanish

The Passenger (Italian: Professione: reporter) is a 1975 film directed by Michelangelo Antonioni. Written by Mark Peploe, Peter Wollen and Antonioni, the film is about an Anglo-American journalist, David Locke (Jack Nicholson) who assumes the identity of a dead businessman while working on a documentary in Chad, unaware that he is impersonating an arms dealer with connections to the rebels in the current civil war. Co-starring Maria Schneider, The Passenger was the final film in Antonioni's three-picture deal with producer Carlo Ponti and Metro-Goldwyn-Mayer, after Blowup and Zabriskie Point, and competed for the Palme d'Or at the Cannes Film Festival.

David Locke (Jack Nicholson) is a television journalist making a documentary film on post-colonial Africa. To finish the film, he is in the Sahara desert seeking to meet with and interview rebel fighters involved in Chad's civil war. Struggling to find rebels to interview, he is frustrated when his Land Rover gets hopelessly stuck on a sand dune. After a long walk through the desert back to his hotel, a thoroughly glum Locke discovers that an Englishman, Robertson (Charles Mulvehill), who has also been staying there and with whom he had struck up a friendship, has died overnight at the hotel.

Locke decides to switch identities with Robertson; he is tired of his work, his marriage and his life, and sees an opportunity for a fresh start. Posing as Robertson, Locke reports his own death at the front desk, where the hotel manager mistakes Locke for Robertson, and the plan goes off without a hitch.


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