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Las Vegas Museum of Organized Crime and Law Enforcement

The Mob Museum
Mob Museum logo.png
Established February 14, 2012
Location 300 E Stewart Avenue
Las Vegas, NV 89101
Coordinates 36°10′22″N 115°08′29″W / 36.172823°N 115.141252°W / 36.172823; -115.141252
Type History
Director Jonathan Ullman
President Ellen Knowlton
Website The Mob Museum

The Mob Museum, officially the National Museum of Organized Crime and Law Enforcement, is a history museum located in Downtown Las Vegas, Nevada. Opened on February 14th, 2012, the Mob Museum is dedicated to featuring the artifacts, stories, and history of organized crime in the United States, as well as the actions and initiatives by law enforcement to prevent such crimes. The Museum is housed in the former Las Vegas Post Office and Courthouse, which was built in 1933 and is listed on the National Register of Historic Places. The museum is located on Stewart Avenue, two blocks north of Fremont Street, the main artery of the downtown casino district.

Developed under the creative direction of Dennis Barrie, co-creator of the International Spy Museum and the Rock and Roll Hall of Fame, the museum is governed by a non-profit board, the "300 Stewart Avenue Corporation," in partnership with the City of Las Vegas. The museum is dedicated to the contentious relationship between organized crime and law enforcement within the historical context of Las Vegas and the entire United States.

In 2000, the federal government sold the former post office and federal courthouse to the city for $1, with stipulations that the building be restored to its original look and be used for a cultural purpose.

Then-Mayor Oscar Goodman, himself a former Mob defense attorney, had the idea for a mob museum in 2002. The idea faced early opposition from Italian-American groups, while being supported by the FBI, including the former head agent in Las Vegas, Ellen Knowlton, who joined as president of the museum's board.

The project budget was estimated at $50 million, including $26 million for restoring the building. Funding included federal, state, and local grants. Goodman generated controversy by suggesting that federal stimulus money could be used for the museum.


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