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Counsellor at Law

Counsellor at Law
CounsellorAtLawPoster.jpg
original poster
Directed by William Wyler
Produced by Carl Laemmle, Jr.
Written by Elmer Rice
Starring John Barrymore
Cinematography Norbert Brodine
Edited by Daniel Mandell
Distributed by Universal Pictures
Release date
  • December 11, 1933 (1933-12-11) (US)
Running time
82 minutes
Country United States
Language English

Counsellor at Law is a 1933 American Pre-Code drama film directed by William Wyler. The screenplay by Elmer Rice is based on his 1931 Broadway play of the same title.

The story focuses on several days in a critical juncture in the life of George Simon, who rose from his humble roots in a poor Jewish ghetto on the Lower East Side of Manhattan to become a shrewd, highly successful attorney. Earlier in his career, he allowed a guilty client to perjure himself on the witness stand because he believed the man could be rehabilitated if freed. Rival lawyer Francis Clark Baird has learned about the incident and is threatening to expose George, which will lead to his disbarment. The possibility of a public scandal horrifies his socialite wife Cora, who plans to flee to Europe with Roy Darwin. Devastated by his wife's infidelity, George is about to leap from the window of his office in the Empire State Building when his secretary Regina, who is in love with him, comes to his rescue.

Cast notes

After directing a series of films he considered inconsequential, William Wyler was happy to be assigned to a prestigious project based on a play that had enjoyed successful runs on Broadway and in Chicago, Los Angeles, and San Francisco. Producer Carl Laemmle Jr. paid $150,000 for the screen rights, an unusually high price tag during the Great Depression, and to ensure the film's success he hired Elmer Rice to adapt his own play.

In early August 1933, Wyler met Rice in Mexico City, where he was vacationing with his family, for preliminary discussions about the script. Rice was loath to mix business with pleasure and assured the director he would begin working as soon as his holiday ended. On August 22, he shipped a first draft from his New York office to Universal Pictures. Wyler approved of the screenplay, and principal photography was slated to begin on September 8.


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