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Antillanité is a literary and political movement developed in the 1960s that stresses the creation of a specific West Indian identity out of a multiplicity of ethnic and cultural elements.
From the early 1960s, a new way of envisaging French West Indian identity began to be articulated by a number of Martinican thinkers, which, in contrast to Négritude's stress on the retention of African cultural forms in the Caribbean, dwelt rather on the creation, out of a multiplicity of constituent elements, of a specifically West Indian cultural configuration to which, in time, the name "Antillanité" came to be given.
It seems to have been René Ménil, a former collaborator of Aimé Césaire, one of the principal champions of the Négritude movement, who, in an article entitled "Problèmes d'une culture antillaise" first clearly formulated the idea of a West Indian specificity (spécificité antillaise) that would enjoy such success in the years that followed.
French West Indian culture, according to Ménil, is: "neither African nor Chinese, nor Indian, nor even French, but ultimately West Indian. Our culture is West Indian since, in the course of history, it has brought together and combined in an original syncretism all these elements derived from the four corners of the earth, without being any one of those elements in particular."
Originally intended as a counter to the doctrine of Négritude, and its stress on an African rather than Caribbean identity, Antillanité was positively received by a number of prominent Martinican intellectuals, in particular the Groupe de Recherches de l'Institut Martiniquais d'Etudes headed by Édouard Glissant, which published the results of its discussions on Caribbean identity in the short-lived journal Acoma (1971–73).
Like its predecessor, Négritude, Antillanité is, at its base, an assertion of the difference in the face of the encroachments of the same. The whole of Glissant's theoretical work may be seen as a sustained polemic, conducted in the name of "le Divers," (the different) against the claims of the universal, to which a succession of derogatory epithets are attached in a more or less routine fashion.
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