"Air and Simple Gifts" | |
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From left to right: Perlman, Montero, Ma, and McGill performing the composition at the First inauguration of Barack Obama
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Quartet premiered by Yo-Yo Ma, Itzhak Perlman, Gabriela Montero, and Anthony McGill | |
Genre | Chamber music |
Composer(s) |
John Williams (after Joseph Brackett) |
Air and Simple Gifts is a quartet composed and arranged by American composer John Williams for the January 20, 2009, inauguration of Barack Obama as President of the United States. The first public performance of the piece was in Washington, D.C., immediately prior to Obama taking the oath of office, when musicians Anthony McGill (clarinet), Itzhak Perlman (violin), Yo-Yo Ma (cello) and Gabriela Montero (piano) synced their performance to a tape they had recorded two days earlier. It was the first classical quartet to be performed at a presidential inauguration. Obama officially became the President while the piece was being performed, at noon, as the United States Constitution stipulates.
Although it appeared that the piece was being performed live, it was in fact mimed while a recording made two days before was fed to the television pool and speakers. Yo-Yo Ma told NPR's All Things Considered that the piano keys had been decoupled from the hammers, and the bows of the stringed instruments had been soaped to silence them. The performers stated that the cold weather could have affected the tuning and durability of the instruments, making a live performance too risky.
Williams based the piece on the familiar 19th century Shaker hymn "Simple Gifts" by Joseph Brackett. The source piece is famous for its appearance in Aaron Copland's ballet Appalachian Spring. Williams chose the selection from Copland, one of Obama's favorite classical composers.
The piece is slightly under 4.5 minutes. It is structured in roughly three parts. The first section presents the "Air" material, consisting of a spare, descending modal melody introduced by violin, pensively explored in duet with cello and piano accompaniment. The entrance of the clarinet, playing the "Simple Gifts" theme, signals the beginning of a small set of variations on that melody. The "Air" melody at first intermingles with the "Gifts" theme, though it is supplanted by increasingly energetic variations. Midway through, the key shifts from A major to D major, in which the piece concludes. A short coda reprising the "Air" material follows the most vigorous of the "Gifts" variations. The piece concludes with an unusual series of cadences, ending with chord progression D-major followed by B-major, G-minor and finally D-major.