Zombies! Aliens! Vampires! Dinosaurs!
| Zombies! Aliens! Vampires! Dinosaurs! | ||||
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| Studio album by Hellogoodbye | ||||
| Released | August 8, 2006 | |||
| Recorded | Cracker Tracks (Los Angeles) |
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| Length | 35:02 | |||
| Label | Drive-Thru | |||
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| Hellogoodbye chronology | ||||
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| Singles from Zombies! Aliens! Vampires! Dinosaurs! | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AbsolutePunk.net | (69%) |
| AllMusic |    |
| Punknews.org | |
| Spin | 5/10 |
Zombies! Aliens! Vampires! Dinosaurs! is the debut studio album by American indie pop band Hellogoodbye. Produced by Matt Mahaffey, Jeff Turzo, and Forrest Kline, the album was released on August 8, 2006 in the United States by Drive-Thru Records. The album's lead single, "Here (In Your Arms)", reached number 14 on the Billboard Hot 100 and was certified platinum in the United States.
The album's title is a reference to popular youth culture and interests during the mid-2000s. The cover artwork was done by LeDouxville (see Jesse LeDoux). The Japanese release additionally features two live versions of "Here (In Your Arms)" and "Homewrecker".
Hellogoodbye was formed in 2002 by vocalist/guitarist Forrest Kline, bassist Marcus Cole, keyboardist Jesse Kurvink, and drummer Chris Profeta.
Drive-Thru, which formerly employed Kline as a web design intern at 16, signed the band in 2004. The label’s deal with majors MCA (and its successor, Geffen) was nearing its conclusion and the label intended to keep their newest artist signing quiet. Drive-Thru feared the majors might realize Hellogoodbye’s potential and attempt to steal them away. The band issued an eponymous online EP for free, and although it was intended to remain “under the radar,” it attracted commercial attention. "Shimmy Shimmy Quarter Turn" became a minor hit on MTV and helped the group gain notoriety. The group was chosen by the cast of MTV’s The Real World: Austin to be followed during South by Southwest (SXSW), and their profile began to increase dramatically. This exposure was aided by Drive-Thru’s distribution deal with Sony BMG’s RED Distribution, through Sanctuary Records. Drive-Thru paid $20,000 to promote the EP, which Sanctuary funded retail pricing and positioning.
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