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Zappa in New York

Zappa in New York
Zappa in New York.jpg
Live album by Frank Zappa
Released March 3, 1978
Recorded December 26–29, 1976
Palladium, New York City
Genre Jazz fusion, comedy rock, hard rock, progressive rock
Length 70:04
101:53 (CD Version)
Label DiscReet
Producer Frank Zappa
Frank Zappa chronology
Zoot Allures
#22 (1976)
Zappa in New York
#23 (1978)
Studio Tan
#24 (1978)
Professional ratings
Review scores
Source Rating
Allmusic 4/5 stars

Zappa in New York is a live double album by Frank Zappa. It was recorded at a series of concerts at the Palladium in New York City in December 1976.

Zappa in New York was released in the UK only by Zappa's DiscReet Records label in 1977, then quickly withdrawn. A second version was re-released in March 1978 with changes ordered by DiscReet's distributor, Warner Bros. Records. The 1978 edition reached #57 on the Billboard 200 albums chart in the United States.

Immediately following the 1976 concerts Zappa spent time in the studio adding a significant number of overdubs to the live recordings. Several of these recordings were originally intended for the shelved album Läther, including "The Illinois Enema Bandit", "The Black Page #1", "Big Leg Emma", "Punky's Whips", "The Purple Lagoon" and "I Promise Not to Come in Your Mouth."

The album is notable for the presence of members of the Saturday Night Live band, including Lou Marini and Tom Malone, as well as the Brecker Brothers. In addition, Don Pardo was invited by Zappa to the Palladium concert, and he provides introductory narrations to "Punky's Whips" and "The Illinois Enema Bandit". On the CD version, Pardo also delivers a verse of "I'm the Slime" (he did the same for Zappa's 1976 Saturday Night Live appearance).

The lyrics of "Punky's Whips" were intended as an inside joke regarding drummer Terry Bozzio's purported infatuation with Punky Meadows, lead guitarist of the band Angel. "Titties and Beer" also features Bozzio in the role of the Devil, with whom Zappa tries to negotiate in order to reacquire the titular possessions. The song references "Milhous Nixon" and "Agnew" whose souls are supposedly taken by the Devil. This is a clear re-interpretation of Histoire du soldat by Igor Stravinsky, one of Zappa's favorite classical composers.


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