Zapp (album)
| Zapp | ||||
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| Studio album by Zapp | ||||
| Released | July 28, 1980 | |||
| Recorded | 1979-1980 | |||
| Studio | United Sound Systems (Detroit, Michigan) | |||
| Genre | ||||
| Length | 40:16 | |||
| Label | Warner Bros. | |||
| Producer | Roger Troutman, Bootsy Collins | |||
| Zapp chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |
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| Robert Christgau | C+ |
Zapp is the debut studio album by the American funk band Zapp, released on July 28, 1980 by Warner Bros. Records. The album's style was highly similar to Parliament-Funkadelic, as the band was working with and being mentored by both Parliament members William Earl "Bootsy" Collins and George Clinton during the album's production. The album was produced by Zapp frontman Roger Troutman and Bootsy. The Troutman family of the Zapp band had close ties with the Collins family, both being Ohio natives. This friendship proved instrumental in Zapp gaining a record deal with Warner Bros. Records in 1979. Zapp was recorded between late 1979 and early 1980 at the United Sound Studios in Detroit, Michigan, of which Parliament-Funkadelic frequented.
The album reached #2 on the US Billboard Hot R&B tracks chart for 2 weeks in fall 1980. The album has been cited as one of the definitive albums of early 1980s electro funk, bringing the genre to mainstream attention. The album has also served as a partial source toward the creation of the G-funk sound of hip hop music, which became popular on the West coast of the United States during the early and mid 1990s. Zapp was certified gold by the Recording Industry Association of America (RIAA) in November 1980.
During the late 1970s, Zapp was noticed by two longstanding friends of the Troutman family, Phelps "Catfish" Collins and William Earl "Bootsy" Collins who were both members of Parliament-Funkadelic in the early 1970s. Prior, Roger Troutman often played locally in the Ohio area with his brothers, originally forming the band 'Roger and His Fabulous Vels' at a young age in 1966.
"George Clinton just happened to step into the studio this night and he really liked this one part that we had already re-did on 'Funky Bounce'. He advised us to loop that section and put the other talk-box parts over it. At that time, this was considered a genius act, because you had to actually cut the tape and make the right cut, line it up and loop it. So let us not forget that Dr. Funkenstein was way ahead of his time as well."
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