"Your Blue Room" is a song by Passengers, a group composed of rock band U2 and producer Brian Eno. It is the third track on the group's only release, the 1995 album Original Soundtracks 1. The track was written for the 1995 Michelangelo Antonioni–Wim Wenders film Beyond the Clouds. Though Eno made the majority of creative decisions during the recording sessions, "Your Blue Room" was one of the few tracks that the members from U2 tried to craft themselves.

U2 and producer Brian Eno formed Passengers as a side-project during the preliminary recording sessions for U2's 1997 album, Pop. Their intention was to record a soundtrack for Peter Greenaway's 1996 film The Pillow Book as a warm up before the main Pop sessions. Though the plan did not come to fruition, Eno suggested they continue recording for imaginary films. U2 were unsure of the idea at first, but agreed after Eno told them that producing radio hits was not the goal of the collaboration.

U2 had frequently improvised in the past, and in the Original Soundtracks 1 sessions they engaged in free-form jamming to video clips from various films. Eno stated, "Listening to the original improvisations as they came off the floor, you feel the excitement of the process ... You have to be careful not to disturb the organic flow of the thing." The group brought in producer Howie B to cut down and mix some of the tracks after several hours of jam sessions had been recorded.

Part of the group's intent in creating Original Soundtracks 1 had been to make a "night-time" record. Lead vocalist Bono said, "It feels like it's been set on the bullet train in Tokyo. Every record has a location, a place where you enjoy listening to it, whether that be a bedroom or a club, well this record location is a fast train. It's slo-mo music though. But it has an odd sense of speed in the background." He also noted that when creating works for soundtracks the visual suggestion from the music is more important than the story told by the lyrics. With this in mind the band had tried to create "visual music" when recording, continuing a trend that began with their 1993 song "Zooropa".

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