Professional ratings
Aggregate scores
Source	Rating
Metacritic	79/100
Review scores
Source	Rating
AllMusic
The Guardian
Pitchfork Media	8.7/10
PopMatters	8/10
Q
Spin
Uncut
Robert Christgau

Yellow House is the second studio album by American indie rock band Grizzly Bear, released on September 5, 2006 on Warp Records. Produced by bass guitarist and multi-instrumentalist Chris Taylor, the album's title refers to vocalist Ed Droste's mother's house where the majority of recording took place.

The album is the first to feature both Taylor and vocalist and guitarist Daniel Rossen, and received critical acclaim upon its release, significantly increasing the band's exposure. An EP, Friend, was released the following year featuring material recorded mostly during the same sessions.

Following the release of Horn of Plenty in 2004, Grizzly Bear expanded from being the solo moniker for vocalist Ed Droste into a full band, with the addition of Horn of Plenty collaborator Christopher Bear, bassist and multi-instrumentalist Chris Taylor, and guitarist and vocalist Daniel Rossen. Christopher Bear noted, "Getting together the band for the live show changed things quite a bit, in terms of dynamics and instrumentation used. The songs [on Horn of Plenty] were quite simple and open ended so it left a lot of room for interpretation, which was great because it allowed us to get a band sound happening and working on a very reactionary level."

With the four-piece band line-up in place, Grizzly Bear began recording at Ed Droste's mother's house on Cape Cod in July 2005, with bassist and multi-instrumentalist Chris Taylor adopting the role of producer. Drummer Christopher Bear stated, "A lot of the stuff we'd end up recording was really late at night, after voices had really warmed up, or after properly loosening up at our religious cocktail hour." Following a month of initial tracking, each band member added individual overdubs at a later date, with Bear noting, "After the initial basic tracking month, a lot of things were added individually by everyone and a lot of those sounds were very time intensive. I couldn't imagine doing some of those things with everyone around, or feeling like you're on the clock at a studio."

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