Xu Zhen (Chinese 徐震) | |
---|---|
Born | 1977 |
Nationality | Chinese |
Education | Shanghai Arts & Crafts Institute |
Xu Zhen (Chinese 徐震), born in 1977, is a multimedia artist living and working in Shanghai, China.
Xu Zhen is a leading figure among the young generation of Chinese artists. His extensive body of work, which includes photography, installation art and video, entails theatrical humor and social critique. His projects are informed by performance and conceptual art. Xu’s work focuses on human sensitivity and dramatizes the humdrum of urban living.
Xu Zhen’s earlier representative individual works include the video Rainbow (1998), where a man’s back is beaten until it burns red, yet the hand doing the beating is abstracted. This work made him the youngest Chinese artist to have participated in the main thematic exhibition of the Venice Biennale. The video Shouting, created in 1998, where on the crowded streets of Shanghai, Xu Zhen suddenly bursts out screaming—the fright and bewilderment in the crowd’s faces, turned backwards, were fully captured. The installation ShanghART Supermarket (2007) recreates a convenience store on-site: the shelves are crammed full of empty products, while the items, sold at their ordinarily marked prices, only have the external shells of their packaging.
His recent pieces survey ancient and new art while fusing Chinese and Western cultures into monumental installations or into new art forms. European Thousand-Hand Classical Sculpture (2014) assembles 19 different Western classical sculptures of various forms; borrowing from the shape of the Thousand-Hand Guanyin (Bodhisattva) in Buddhist iconography. Physique of Consciousness (2011) is a video which comprises movements derived from dance, gymnastics, spiritual and cultural rituals.
Xu Zhen’s curatorial experiments and engagement with an alternative art space BizArt (closed in 2010) complement and extend practice. Aside from being an artist, Xu Zhen organizes various art activities and co-curates with other artists. Major exhibitions in Shanghai include Art For Sale, 1999; Fan Mingzhen & Fan Mingzhu, 2002; Dial 62761232-Courier Exhibition, 2004; 38 Solo Exhibitions, 2006; The Real Thing: Contemporary from Art China, Tate Liverpool, 2007; Bourgeoisified Proletariat, 2009; and My Communism - Poster Exhibition, 2011. He is also one of the initiators of the contemporary art forum on internet Art-Ba-Ba in 2006.
Xu Zhen has exhibited internationally at museums and biennales, such as, Venice Biennale (2001, 2005), Lyon Biennial (2013), Asia Pacific Triennial (2012), Guangzhou Triennial (2012), The Museum of Modern Art (New York, 2004), ICP (2004), Mori Art Museum (2005), PS1 (2006), Tate Liverpool (2007) etc. Recent exhibitions include Corporate-Xu Zhen (Produced by MadeIn Company), Kunsthaus Graz (Graz, Austria, 2015), Xu Zhen Solo Exhibition, Long Museum (Shanghai, China, 2015), Xu Zhen-Produced by MadeIn Company, Ullens Center for Contemporary Art (Beijing, China, 2014), 14 Rooms, Fondation Beyeler (Basel, Switzerland, 2014), Art of Change (Hayward Gallery, London, 2012), 11 Rooms (Manchester International Festival, Manchester City Galleries, 2011), 15 Rooms, Long Museum (Shanghai, China, 2015), Corporate, Graz Kunsthaus, (Graz, Austria, 2015), Bentu: Chinese Artists in a Time of Turbulence and Transformation, and Fondation Louis Vuitton (Paris, France, 2016) etc.