Wonderwall Music | ||||
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Soundtrack album by George Harrison | ||||
Released | 1 November 1968 | |||
Recorded | November 1967–February 1968 | |||
Studio | Abbey Road Studios, London; HMV Studios, Bombay | |||
Genre | ||||
Length | 45:43 | |||
Label | Apple | |||
Producer | George Harrison | |||
George Harrison chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Billboard | "Vital Reissue" |
Mojo | |
MusicHound | 2/5 |
Musician | (favourable) |
The Rolling Stone Album Guide | |
Uncut |
Wonderwall Music is the soundtrack album to the 1968 film Wonderwall, and the debut solo release by English musician George Harrison. It was the first album to be issued on the Beatles' Apple record label, and the first solo album by a member of that band. The songs are all instrumental pieces, except for occasional non-English vocals, and a slowed-down spoken word segment on the track "Dream Scene". Harrison recorded the album between November 1967 and February 1968, with sessions taking place in London and the Indian city of Bombay. Following his Indian-styled compositions for the Beatles since 1966, he used the film soundtrack to further promote Indian classical music by introducing rock audiences to musical instruments that were relatively little-known in the West – including shehnai, sarod and santoor.
Harrison's main collaborator on the project was classical pianist and orchestral arranger John Barham, while other contributors include Indian classical musicians Aashish Khan, Shivkumar Sharma, Shankar Ghosh and Mahapurush Misra. Harrison also recorded Western rock music selections for the album, which feature contributions from Tony Ashton and the latter's band, the Remo Four, as well as guest appearances from Eric Clapton, Ringo Starr and Peter Tork. During the sessions, Harrison recorded many other pieces that appeared in Wonderwall but not on the soundtrack album, and the Beatles' song "The Inner Light" also originated from his time in Bombay. Although the album's release in November 1968 marked the end of Harrison's direct involvement with Indian music, it inspired his later collaborations with Ravi Shankar, including the 1974 Music Festival from India.