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Wireless microphone


A wireless microphone is a microphone without a physical cable connecting it directly to the sound recording or amplifying equipment with which it is associated. Also known as a radio microphone, it has a small, battery-powered radio transmitter in the microphone body, which transmits the audio signal from the microphone by radio waves to a nearby receiver unit, which recovers the audio. The other audio equipment is connected to the receiver unit by cable. Wireless microphones are widely used in the entertainment industry, television broadcasting, and public speaking to allow public speakers, interviewers, performers, and entertainers to move about freely while using a microphone to amplify their voices.

There are many different standards, frequencies and transmission technologies used to replace the microphone's cable connection and make it into a wireless microphone. They can transmit, for example, in radio waves using UHF or VHF frequencies, FM, AM, or various digital modulation schemes. Some low cost (or specialist) models use infrared light. Infrared microphones require a direct line of sight between the microphone and the receiver, while costlier radio frequency models do not.

Some models operate on a single fixed frequency, but the more advanced models operate on a user selectable frequency to avoid interference and allow the use of several microphones at the same time.

Various individuals and organizations claim to be the inventors of the wireless microphone.

From about 1945 there were schematics and hobbyist kits offered in Popular Science and Popular Mechanics for making a wireless microphone that would transmit the voice to a nearby radio.

Figure skater and Royal Air Force flight engineer Reg Moores developed a radio microphone in 1947 that he first used in the Tom Arnold production "Aladdin on Ice" at Brighton's sports stadium from September 1949 through the Christmas season. Moores affixed the wireless transmitter to the costume of the character Abanazar, and it worked perfectly. Moores did not patent his idea, as he was illegally using the radio frequency 76 MHz. The producers of the ice show decided that they would not continue using the device; they would rather hire actors and singers to perform into hidden microphones to "dub" the voices of the other ice skaters, who would thus be free to concentrate on their skating. In 1972 Moores donated his 1947 prototype to the Science Museum in London.


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