Windsor-Smith Studios

Barry Windsor-Smith
Barry Windsor-Smith by Michael Netzer
Born	25 May 1949 (1949-05-25) (age 68) Forest Gate, London
Nationality	British
Area(s)	Writer, Artist
Notable works	Conan Red Sonja Machine Man Weapon X Solar Unity Archer & Armstrong Rune Storyteller
Awards	Shazam Award, 1974 Eisner Award 2008

Barry Windsor-Smith (born Barry Smith on 25 May 1949) is a British comic book illustrator and painter whose best known work has been produced in the United States. He is best known for his work on Marvel Comics' Conan the Barbarian from 1970 to 1973.

Barry Windsor-Smith was born Barry Smith on 25 May 1949 in Forest Gate, a working class area in the East End of London. He displayed artistic abilities at an early age, and his parents supported in pursuing an education in the arts.

He attended East Ham Technical College for three years, earning degrees in Industrial Design and Illustration.

Windsor-Smith produced his first published work in 1967 and 1968 – single page "Powerhouse Pinups" of Marvel Comics characters for Terrific and Fantastic comics, titles published by Odhams Press that included licensed Marvel Comics reprints for the UK market. Following this, he flew to the U.S. in summer 1968 with fellow artist Steve Parkhouse for meetings at Marvel in New York. "I sent material first, and based solely upon a pleasant return note from Stan [Lee]'s assistant Linda Fite, my pal and me were at Marvel's doorstep in the blink of an eye." Largely due to his Jack Kirbyesque style, Marvel Comics Editor Stan Lee gave him the job of drawing both the cover and story of X-Men No. 53 (cover-dated Feb. 1969), credited to Barry Smith as he was then known. He drew Marvel's Daredevil #50–52 (March–May 1969), a Western short story, "Half Breed" (probably the story "Outcast" eventually published in Western Gunfighters No. 4, Feb. 1971), and issue #12 of Nick Fury, Agent of S.H.I.E.L.D. (May 1968), both scripted by Parkhouse. Windsor-Smith later called his early art "amateur and klutzy" and a "less than skillful" Kirby imitation, but Stan Lee liked it enough to give him more work.

Despite this, Roy Thomas assigned him issues No. 66 and No. 67 of The Avengers (July–Aug. 1969) after he had returned to the UK. These stories introduced the fictitious indestructible metal alloy adamantium. He continued to work at a distance for Marvel, providing the art for a number of stories in the horror anthology titles Tower of Shadows and Chamber of Darkness. Thomas, a long-time fan of Robert E. Howard's 1930 pulp-fiction character Conan the Barbarian, had Windsor-Smith provide art for a sword and sorcery story, "Starr the Slayer", in Chamber of Darkness No. 4 (April 1970). Soon afterwards, Thomas offered Windsor-Smith the job as penciller for Marvel's adaptation of Conan, starting with Conan the Barbarian No. 1 (Oct. 1970). In 1971, Windsor-Smith moved to the United States, having been granted a work permit. Comics historian Les Daniels noted that Windsor-Smith's "initial efforts were slightly sketchy, but his technique progressed by leaps and bounds. Within a few months he had achieved a style never seen in comics before."