William Gedney
| William Gale Gedney | |
|---|---|
| Born |
October 29, 1932 Greenville, New York |
| Died | June 23, 1989 (aged 56) Greenville, New York |
| Occupation | documentary photographer, street photographer |
| Years active | 1950s-1980s |
| Known for | Kentucky series |
William Gale Gedney (October 29, 1932 – June 23, 1989) was an American documentary and street photographer. It wasn't until after his death that his work gained momentum and his work is now widely recognized. He is most remembered for his series of rural Kentucky, and series on India, San Francisco and New York shot in 1960s and 1970s.
He was born in Greenville, New York. He studied at Pratt Institute in Brooklyn, New York. In 1955 he graduated with a BFA in Graphic Design and begin work with Condé Nast.
During his lifetime, Gedney received several fellowships and grants, including a John Simon Guggenheim Memorial Foundation fellowship from 1966 to 1967, a Fulbright Fellowship for photography in India from 1969 to 1971, a New York State Creative Artists Public Service Program (C.A.P.S.) grant from 1972 to 1973; and a National Endowment for the Arts grant from 1975 to 1976. In a career spanning late 1950s to mid-1980s, he created a large body of work, including series documenting local communities during his travels to India, San Francisco, Brooklyn and New York shot in 1960s and 1970s. He is also noted for night photography, principally of large structures, like the Brooklyn bridge and architecture, and architectural studies of neighbourhoods quiet and empty, in the night.
In 1969, he started teaching at Pratt Institute, though later in 1987, two years before his death, he was denied a tenure by the institution.
Gedney's work has been exhibited in numerous group shows, including Museum of Modern Art shows, Photography Current Report in 1968, Ben Schultz Memorial Collection in 1969, and Recent Acquisitions in 1971; as well as Vision and Expression, George Eastman House, and Rochester Institute of Technology, in 1972. However, he remained a recluse, had only one solo exhibition during his lifetime. Despite receiving appreciation from noted photographers of the time, Walker Evans, Diane Arbus, Lee Friedlander, and John Szarkowski, he remained an under-appreciated artist of the generation. He didn't manage to get any of his eight book projects published.
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