William E. Harmon Foundation Award for Distinguished Achievement Among Negroes

The William E. Harmon Foundation Award for Distinguished Achievement among Negroes, commonly referred to as the Harmon Award or Harmon Foundation Award, was a philanthropic and cultural award created in 1926 by William E. Harmon and administered by the Harmon Foundation. It was offered for distinguished achievements in eight different fields: literature, music, fine arts, business and industry (such as banker Anthony Overton in 1927), science and innovation, education (for example, educator Janie Porter Barrett in 1929), religious service, and race relations.

Although awards were created in eight categories, it is best known for its impact on African-American art of the Harlem Renaissance, and particularly on the visual arts. During its existence the Harmon award was largely considered synonymous with Negro visual art:

...the introduction of the Harmon foundation awards in 1926, which were always dispensed with a flurry of publicity, marked the beginning of a new era for Negro visual art. With its private endowment, popular social mission, and interracial alliances, [it] possessed a much greater public relations capacity than any other prior initiatives....Due in large part to the activities of the Harmon Foundation, African Americans emerged as a distinct presence in the American art world.

Among the many recipients of the awards in literature and the fine arts were Claude McKay, Hale Woodruff, Palmer Hayden, Archibald Motley (his winning piece was The Octoroon Girl), Countee Cullen and Langston Hughes.

The awards were closely associated with an annual Exhibition of the Work of Negro Artists, conceived by Mary Brady. Exhibitions were held in 1927 through 1931, 1933, and 1935, and featured "substantial prizes" together with gold, silver and bronze medals. According to Gates and Higginbotham, "...submissions in the fine arts category was the chief venue open to African American artists"

...
Wikipedia