William H. Barrington-Coupe (born 1931 in Llanelly, Carmarthenshire, died 19 October 2014 in Royston, England) was a Welsh record producer and music impresario.
Married in 1956 to concert pianist Joyce Hatto, he was jailed for a year in 1966 for "blatant and impertinent frauds". He attained further notoriety in 2007 when he confessed that a large number of piano CDs that he had sold on his Concert Artist/Fidelio Recordings label were not in fact performed by his wife but were copies, in some cases digitally manipulated, of commercially available recordings by other pianists.
In the early 1950s Barrington-Coupe worked in London as a classical musicians' agent. A directory from 1953–1954 showed him with two exclusive artists on his books. A 1955 article in Billboard magazine refers to Barrington-Coupe, as President of Concert Artists, licensing Mozart recordings by the "London Mozart Ensemble".
The Saga Films and Records Company, of which he was an employee, collapsed in 1960, with the Official Receiver declaring that Barrington-Coupe was chiefly responsible for the company's demise.
Following the Saga collapse in late 1960, he created the Lyrique record label with Marcel Rodd, who had a record-pressing factory, and began to release records by artists under different pseudonyms, a not uncommon practice of the era. "The repertoire was from the variety of master tapes now in Rodd's tape library," wrote Ted Perry, one of Barrington-Coupe's former colleagues in an unpublished autobiography. "It was also, possibly, from some of Coupe's own tapes since he always seemed to have a lot of recorded material of unknown, not to say dubious, provenance."
Recordings of classical works issued on his Delta label were believed to have been copied from radio broadcasts from behind the Iron Curtain, mixed to disguise the sources. Private Eye has claimed that on one recording of Tchaikovsky's 4th Symphony, he made the mistake of inserting a number of bars backwards. A recording issued featuring the Danzig Philharmonic was in stereo, when it was known that that orchestra had ceased to exist a decade or more before stereo recording was common. He also made up artists' names: "Wilhelm Havagesse" was the falsely-named conductor of the "Zurich Municipal Orchestra" in a recording of Scheherazade released on Barrington-Coupe's Fidelio label in 1962 (ATL 4006). Charles Haynes, who worked with Barrington-Coupe at Delta, recounted that "quite often they used to 'monkey around', hence conductors Havagesse and Homer Lott and the soprano Herda Wobbel", lamenting that the practice stopped when "the Trades Descriptions Act threatened the continuing existence of these fine artists: 'End of the Road for Musician Havagesse' proclaimed the Daily Telegraph's headline."