Wilhelm Vöge (February 16, 1868 – December 30, 1952) was a German art historian, the discoverer of the Reichenau School of painting and one of the most important medievalists of the early 20th century. Whitney Stoddard called him the "father of modern stylistic analysis" for medieval art.
Vöge was born in Bremen. He studied art history under Anton Springer and Paul Clemen at the University of Leipzig, under Carl Justi, Karl Lamprecht and Henry Thode at the University of Bonn, where Aby Warburg and Hermann Ullmann were his classmates, and finally under Hubert Janitschek at the University of Strasbourg. In 1891 he wrote his groundbreaking Ph.D. dissertation on Ottonian painting, based on the Munich manuscript Cim. 58 ("the Evangelary of Otto III"), which established the group of painters known today as the Reichenau School (then however located in Trier). He became a friend of Heinrich Wölfflin. After a research trip in France, where he met the German medievalist Adolph Goldschmidt and the French scholars Gaston Maspero, Eugène Müntz, Camille Enlart, Paul Vitry, Albert Marignan and Louis Courajod, Vöge published a book on French medieval sculpture (Die Anfänge des monumentalen Stiles im Mittelalter, 1894). Then he went to Italy in order to write his Habilitationsschrift on Raphael and Donatello (1895).