This scope of this includes the life and work of art music composers of all eras and all styles. Information on musical traditions, styles, and interrelationships will also be pertinent to articles.
To join, please add your name to the participants list.
How you can help depends on your time, resources and interest. Here are a variety of ideas for contributions ranging from simple to complex:
See also How to edit a page, How to write a great article, and Manual of Style
To help direct our efforts more efficiently to maximise the quality of these articles, please use this section to alert other participants in the project to the changing status of articles about composers.
See also .
Please refer to the subpage devoted to a list of composers whose articles are either missing or underdeveloped.
These articles have been accepted as featured articles: they may be helpful examples.
These are considered best practices by the project members, they are not Policy, , or part of the Manual of Style.
The introductory paragraph/statement should contain the name of the composer in bold followed by the date of the composer's birth and also death if applicable. If the exact date (e.g. 16 January 1863) is not known, use the closest verifiable approximation (e.g., 19th century, 1863, January 1863). Briefly summarize why the person is important, by concisely summarizing the information discussed in the article. Therefore, unless the exact place of birth is essential information, it should be included in the biographical section or paragraph instead. Brief information on the composer's stylistic location in relation to his or her contemporaries, and in historical terms, would be helpful to many readers. If the person is notable, however, as a Hungarian nationalist or conductor for a particular organization that should be here.
The last sentence of the first paragraph may be a summary statement of the importance of the composer -- i.e. in the same position as the standard thesis statement of an essay.