Who Killed The JAMs? | ||||
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Studio album by The Justified Ancients of Mu Mu | ||||
Released | 08 February 1988 | |||
Recorded | 1987–88 | |||
Studio | Trancentral | |||
Genre | Acid house, hip hop | |||
Length | 29:54 | |||
Label | KLF Communications | |||
Producer | The JAMs | |||
The Justified Ancients of Mu Mu chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | |
Sounds | |
Melody Maker | |
NME | |
Spin |
Who Killed The JAMs? is the second studio album by The Justified Ancients of Mu Mu (The JAMs), and the final one under the JAMs moniker before renaming themselves The KLF. Similar in style to the preceding 1987 (What the Fuck Is Going On?), the album is a fusion of hip hop, drum machines and samples of a diversity of musical works, although in general the samples are more covertly integrated here than they are in 1987.
Early in 1987, Bill Drummond and Jimmy Cauty formed The Justified Ancients of Mu Mu and released their debut single, "All You Need Is Love". This was followed in June 1987 by their debut album, 1987 (What the Fuck Is Going On?), an "energetic ... [and] loopy dance album" but with "too few ideas being spread too thin". In October 1987, The JAMs destroyed most remaining copies of the album following a copyright complaint from ABBA and the Mechanical-Copyright Protection Society. The JAMs released several other singles that year and made regular appearances in the British music press.
In a December 1987 interview, Rockman Rock claimed that The JAMs' second album would be heavy metal... "We're gonna do heavy metal covers. We thought we'd do the whole of 'In Rock'." King Boy D continued: "Before we ever did the '1987' LP, we were gonna do one called 'The Justified Ancients Of Mu Mu In Rock' and do all Deep Purple songs. Then we got all these reviews treating us seriously so we thought maybe we should do a bit more of this stuff." In actuality, the duo's second LP, Who Killed The JAMs?, was "more of this stuff" – a fusion of hip hop, drum machines and samples of a diversity of musical works, albeit with the samples generally more covertly integrated than on 1987. "It's like when you have a crap and you squeeze it out and think 'I'm never going to need another one'", they told Melody Maker when discussing plans for a second album, "Then half an hour later you're thinking that maybe you will".