White Blood Cells | ||||
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Studio album by The White Stripes | ||||
Released | July 3, 2001 | |||
Recorded | February 2001 | |||
Studio | Easley-McCain Recording, Memphis, Tennessee | |||
Genre | Garage rock | |||
Length | 40:25 | |||
Label | ||||
Producer | Jack White | |||
The White Stripes chronology | ||||
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Singles from White Blood Cells | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 86/100 |
Review scores | |
Source | Rating |
AllMusic | |
Alternative Press | 8/10 |
Los Angeles Times | |
NME | 8/10 |
Pitchfork Media | 9.0/10 |
Q | |
Rolling Stone | |
The Rolling Stone Album Guide | |
Uncut | |
The Village Voice | A |
White Blood Cells is the third studio album by American Garage Rock duo The White Stripes, released on July 3, 2001. Recorded in less than one week at Easley-McCain Recording in Memphis, Tennessee, and produced by frontman and guitarist Jack White, it was the band's final record released independently on Sympathy for the Record Industry. Bolstered by the hit single "Fell in Love with a Girl", the record propelled The White Stripes into early commercial popularity and critical success. In 2012, Rolling Stone ranked the album at number 497 on its list of The 500 Greatest Albums of All Time.
Continuing the stripped-down garage rock nature of the duo, White Blood Cells features less of the band's blues rock influences, instead displaying a more raw, basic, and primitive rock and roll sound. The album's lyrical themes, which were written by White over a period of four years, touch on themes relating to love, hope, betrayal, and paranoia. Following a major label re-release on V2 Records in 2002, the album became promoted throughout the music press, bringing the band critical acclaim. The White Stripes followed with a worldwide tour and the record peaked at number 61 on the Billboard 200, later being certified platinum by the Recording Industry Association of America. The album's cover art satirically parodies the amount of increasing mainstream popularity the band was receiving, which depicts the duo attacked by photographers.