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Where I Come From (album)

Where I Come From
Stylized depiction of a desert scene, with a saguaro cactus in the foreground, and buttes and a sunset in the background
Studio album by New Riders of the Purple Sage
Released June 2, 2009
Recorded 2008
Genre Country rock
Length 73:26
Bonus disc – 66:02
Label Woodstock
Producer Michael Falzarano
New Riders of the Purple Sage chronology
Very Best of the Relix Years
(2009)Very Best of the Relix Years2009
Where I Come From
(2009)
Setlist: The Very Best of New Riders of the Purple Sage Live
(2011)Setlist: The Very Best of New Riders of the Purple Sage Live2011

Where I Come From is the fourteenth studio album by the American country rock band the New Riders of the Purple Sage. It was recorded in 2008, and released on the Woodstock Records label on June 2, 2009.

Following Wanted: Live at Turkey Trot, Where I Come From was the second album recorded by the New Riders after they re-formed in 2005, with band co-founder David Nelson on guitar, long-time member Buddy Cage on pedal steel guitar, Hot Tuna alumnus Michael Falzarano on guitar, Ronnie Penque on bass, and Johnny Markowski on drums. It was the band's first studio album in 17 years, since 1992's Midnight Moonlight.

The music for seven of the songs on the album was written by David Nelson, with lyrics by Robert Hunter, who wrote the lyrics for many Grateful Dead songs. Four of the other five songs were also written by current band members. In 2010, a version of the song "Olivia Rose", written by Ronnie Penque, appeared on his album Only Road Home.

The cover of Where I Come From was illustrated by Stanley Mouse, an artist known for his many concert posters and album covers.

Some copies of the album were accompanied by a bonus disc called Where I Come From: Radio Mixes & Live Bonus.

On Allmusic, William Ruhlmann wrote, "But the heart of the album — seven songs out of 12 — is the work of the new songwriting team of Nelson and Robert Hunter.... Hunter comes up with his typically aphoristic, imagistic, and vernacular words (particularly on the title song) and Nelson matches them with catchy, country-tinged melodies that the band plays in frisky country-rock roadhouse arrangements. This may be San Francisco music, but Bakersfield doesn't seem far away as the guitars go twangy and Cage plays down the weepy side of the pedal steel in favor of something more stinging. These New Riders jam a bit more than the original ensemble, and they also rock a bit more."


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