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When the Money's Gone

"When the Money's Gone"
Bruce Roberts When the Money's Gone Single.jpg
Single by Bruce Roberts
from the album Intimacy
Released September 19, 1995
Recorded 1995
Genre Dance
Length 5:53
Label Atlantic
Songwriter(s)
Producer(s)
  • Bruce Roberts
  • Warren Rigg
Bruce Roberts singles chronology
"When the Money's Gone"
(1995)
"Whenever There Is Love"
(1996)
"When the Money's Gone"
(1995)
"Whenever There Is Love"
(1996)
"When the Money's Gone"
Whenthemoneysgone1.jpg
Single by Cher
from the album Living Proof
B-side "Love One Another"
Released February 4, 2003
Recorded 2001
Genre
Length 4:40
Label
Songwriter(s)
Producer(s)
  • Bruce Roberts
  • Warren Rigg
Cher singles chronology
"A Different Kind of Love Song"
(2002)
"When the Money's Gone"
(2003)
"Love One Another"
(2003)
"A Different Kind of Love Song"
(2002)
"When the Money's Gone"
(2003)
"Love One Another"
(2003)
Audio sample

"When the Money's Gone" is a song was written by Bruce Roberts and Donna Weiss and first released by Bruce Roberts on his 1995 album Intimacy. Elton John provided backing vocals. An uptempo dance remix featuring Kristine W was also issued. The track peaked at number thirty-two on Billboard's Hot Dance Club Play chart.

In 2003 the song was released as the last North American single by American singer-actress Cher from her twenty-fifth studio album, Living Proof. It was released in 2003 by Warner Bros, and WEA.

In 2001, Cher released a cover of the song on her album, Living Proof. In 2003, "When the Money's Gone" with the song "Love One Another" as its B-side was released as Cher's third and final American single. "Love One Another" earned Cher a Grammy nomination for Best Dance Recording; however, she lost the award to Kylie Minogue's song, "Come into My World". Cher performed "Love One Another" on The Farewell Tour and was sung as part of the Love Medley on the fifth leg of the tour only in Europe.

Allmusic editor Kerry L. Smith wrote that fans and club kids would appreciate the "rapid-fire drum beats on th[is] airy track". Slant Magazine called this song one of the worst moments on the album but still praised it for "maintain[ing] the high-energy, club-ready pace [of the album]".


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Wikipedia

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