What on Earth! | |
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Directed by |
Kaj Pindal Les Drew |
Produced by |
Robert Verrall Wolf Koenig |
Written by | Kaj Pindal |
Narrated by | Donald Brittain |
Music by | Donald Douglas |
Production
company |
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Distributed by | National Film Board of Canada Columbia Pictures |
Running time
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09 min 35 s |
Country | Canada |
What on Earth! (French: La Terre est habitée!) is a 1966 National Film Board of Canada animated short co-directed by Les Drew and Kaj Pindal. The film is a mockumentary, introduced in its opening credits as produced by the "National Film Board of Mars" that takes a humorous look at car culture from the point of view of fictional Martians, who mistake automobiles for Earth's true inhabitants and people as their parasites. It attempts to examine the sociology of the automobile as the dominant species on earth, and makes wild guesses about the lifestyle, feeding habits, mating habits and funeral rites of this "species."
The film shows the earth from the view of the Martian flying machines which did not land but used cameras to film earth society. It then follows one average (what it believes to be) earthling and its civilization, by in effect showing a "day in the life" and how they live it. First, it shows one going through dinner with a precisely regulated feeding (vehicle refueling from a gas pump), then it must take its rest (pulling into an attached garage next to a house), because it will have a busy day the next day.
The next morning it shows a large number of earthlings (cars) out traveling on roads and highways. The earthlings apparently do not tolerate long interruptions in their fast life, as slowdowns cause significant complaints (honking) until the problem is fixed when a worker arrives (a traffic jam is solved by a group of construction vehicles "eat" a mountain to open the roadway and cover a chasm to build a new bridge). The presence of lots of earthlings (vehicles) in traffic is presumed to be the need for companionship. But if their desire for companionship and dancing is interrupted, social directors who never leave their post (traffic signals) will instruct them.
With this fun causes exhaustion (tow trucks pulling cars.) There is a steady run on spas and health centers (car washes and repair shops). Libraries (road signs and billboards) and audio-visual centers (drive-in theaters) are readily available. When they become too old, earthlings move to retirement centers (used car lots), and then, when it is time, earthlings perform their final act, where they are assisted in performing euthansia (are crushed at a wrecking yard), so that they can reproduce. Earthlings have eliminated sex, and reproduce (in secret) in three or four large birthing centers (car factories). The film makes a wild guess at what they think happens there, which, never having been inside, is completely wrong. At this point, "a newborn earthling, fully grown, is ready for its place in society."