Welcome to Woop Woop | |
---|---|
Directed by | Stephan Elliott |
Produced by | Finola Dwyer |
Screenplay by |
Michael Thomas Stephan Elliott |
Based on |
The Dead Heart by Douglas Kennedy |
Starring | |
Music by | Guy Gross |
Cinematography | Mike Molloy |
Edited by | Martin Walsh |
Production
company |
|
Distributed by | The Samuel Goldwyn Company |
Release date
|
13 November 1998 |
Running time
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97 minutes 106 minutes (Cannes) |
Country | Australia |
Language | English |
Budget | A$10 million |
Box office | $527,346 |
Welcome to Woop Woop is a 1997 Australian comedy film, directed by Stephan Elliott starring Johnathon Schaech and Rod Taylor. The film was based on the novel The Dead Heart by Douglas Kennedy. "Woop Woop" is an Australian colloquialism referring to a fictional location in the middle of nowhere.
Teddy (Johnathon Schaech) is a New York bird smuggler who goes to Australia to replace a flock of escaped birds after a deal goes awry. While there, he has a wild liaison with a quirky, sexually ravenous girl, Angie (Susie Porter), who after a brief courtship knocks him unconscious and kidnaps him. When he awakes he finds himself "married" to her - not legally - and stranded in Woop Woop, a desolate, dilapidated town hidden within a crater-like rock formation in Aboriginal territory. The residents are people who lived there at an asbestos mining camp before the land was handed over to the Aborigines; following a tragedy in 1979, Woop Woop was abandoned and literally "erased" from the Australian map. Not content with the deal given to them by the mining company (from Fremantle), they opted to return to their old lives in Woop Woop. At first they repopulated themselves incestuously, which caused wide mental instability. A rule was then enacted ("Rule #3") which bans residents from sleeping with their relatives. Since then, outsiders like Teddy have been occasionally kidnapped to keep Woop Woop populated.
Their only export is dog food made from road-killed kangaroos. The town is run by Angie's father, Daddy-O (Rod Taylor), in an authoritarian manner that he disguises as communal (he and the other town elders keep the best luxuries for themselves in secret while doling out only the usual canned pineapple and sub-par tobacco to the others). The only entertainment available to the residents are old Rodgers & Hammerstein films and soundtracks, the latter of which they play constantly. These are presumably left over from the town's last official contact with the civilised world.