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Diamond Dogs
Diamond dogs.jpg
Studio album by David Bowie
Released 24 May 1974 (1974-05-24)
Recorded January–February 1974
Studio Olympic Studios and Island Studios, London; Ludolph Studios, Nederhorst den Berg, Netherlands
Genre Glam rock
Length 38:25
Label RCA
Producer David Bowie
David Bowie chronology
Pin Ups
(1973)Pin Ups1973
Diamond Dogs
(1974)
David Live
(1974)David Live1974
Singles from Diamond Dogs
  1. "Rebel Rebel"
    Released: 15 February 1974
  2. "Diamond Dogs"
    Released: 14 June 1974
  3. "1984"
    Released: July 1974

Diamond Dogs is the eighth studio album by the English musician David Bowie, released on 24 May 1974 by RCA Records. Thematically, it was a marriage of the novel Nineteen Eighty-Four by George Orwell and Bowie's own glam-tinged vision of a post-apocalyptic world. Bowie had wanted to make a theatrical production of Orwell's book and began writing material after completing sessions for his 1973 album Pin Ups, but the author's estate denied the rights. The songs wound up on the second half of Diamond Dogs instead where, as the titles indicated, the Nineteen Eighty-Four theme was prominent. As of January 2017, the album had sold over 6.8 million album-equivalent units worldwide.

Though the album was recorded and released after the 'retirement' of Ziggy Stardust in mid-1973, and featured its own lead character in Halloween Jack ("a real cool cat" who lives in the decaying "Hunger City"), Ziggy was seen to be still very much alive in Diamond Dogs, as evident from Bowie's haircut on the cover and the glam-trash style of the first single "Rebel Rebel". As was the case with some songs on Aladdin Sane, the influence of the Rolling Stones was also evident, particularly in the chugging title-track. Elsewhere, however, Bowie had moved on from his earlier work with the epic song suite, "Sweet Thing"/"Candidate"/"Sweet Thing (Reprise)", whilst "Rock 'n' Roll with Me" and the Shaft-inspired wah-wah guitar style of "1984" provided a foretaste of Bowie's next, 'plastic soul', phase. The original vinyl album ended with a juddering refrain Bruh/bruh/bruh/bruh/bruh, the first syllable of "(Big) Brother", repeats incessantly. "Sweet Thing" was Bowie's first try at William S. Burroughs' cut-up style of writing, which Bowie would continue to use for the next 25 years.


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