Watchmen: Music from the Motion Picture
| Watchmen: Music from the Motion Picture | |
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| Soundtrack album by Various Artists | |
| Released | March 3, 2009 |
| Genre | Rock, pop, soul, folk, soundtrack |
| Length | 51:13 |
| Label | Reprise Records |
| Producer | Various Artists |
| Singles from Watchmen: Music from the Motion Picture | |
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| Professional ratings | |
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| Source | Rating |
| Allmusic |    |
| Empire | |
Watchmen: Music from the Motion Picture is the film soundtrack album for the 2009 film Watchmen. The soundtrack features three songs written by Bob Dylan: "Desolation Row", "The Times They Are a-Changin'", and "All Along The Watchtower".
The film uses some of the songs mentioned in the comic, including "The Times They Are a-Changin'", Jimi Hendrix's cover of "All Along the Watchtower"; Simon and Garfunkel's "The Sounds of Silence"; Nena's "99 Luftballons"; a muzak version of Tears For Fears' "Everybody Wants to Rule the World"; and Nat King Cole's "Unforgettable". Many of the period songs were up-mixed to 5.1 surround for the film using the Penteo process. Tyler Bates, (who wrote the film's original score), said the challenge was composing music that would transition effectively into these famous songs. Director Zach Snyder and Bates received Dylan's permission to use the stems from "The Times They Are a-Changin'" so the three-minute song could play over the six-minute opening. The story of how Dr. Manhattan came to be is accompanied by a montage of the pieces "Prophecies" and "Pruit Igoe" by Philip Glass, originally composed for the 1983 cult film Koyaanisqatsi. Nite Owl II and Silk Spectre II's sex scene aboard the Owl Ship is set to the tune of Leonard Cohen's "Hallelujah". Originally Zack Snyder used a recording of the song by Allison Crowe for the scene, but decided Crowe's version was "too romantic" and "too sexy" for a scene that is intended to come across as ironic and "ridiculous". Snyder ended up placing the original Cohen studio recording in this scene.My Chemical Romance, whose members are fans of the comic, covered Dylan's "Desolation Row" for the first half of the closing credits. The second half is followed by "First We Take Manhattan" sung by Leonard Cohen.
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