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Watch That Man

"Watch That Man"
Song by David Bowie
from the album Aladdin Sane
Released 13 April 1973
Recorded Trident Studios, London
January 1973
Genre
Length 4:25
Label RCA
Songwriter(s) David Bowie
Producer(s) Ken Scott, David Bowie
Aladdin Sane track listing
"Watch That Man"
(1)
"Aladdin Sane (1913-1938-197?)"
(2)

"Watch That Man" is a song written by David Bowie, the opening track on the album Aladdin Sane from 1973. Its style is often compared to The Rolling Stones' Exile on Main Street. The mix, in which Bowie's lead vocal is buried within the instrumental sections, has generated discussion among critics and fans.

NME editors Roy Carr and Charles Shaar Murray considered "Watch That Man" the prime example of a collection of songs on Aladdin Sane that were "written too fast, recorded too fast and mixed too fast". They remarked on the "hurried shoddiness" of its production which "doesn't even sound like a finished mix". Co-producer Ken Scott however, speaking in 1999, defended the mix as the result of careful deliberation:

'Watch That Man' was very much a Stones-sounding thing, with the vocal used as an instrument rather than as a lead. When it came to mixing the track, to get the sort of power of it, I just put everything up front, which meant losing the vocal. So I did the mix the way I felt. When we delivered the tapes of the album, I heard from MainMan, 'Great, but can we get another mix on "Watch That Man" with the vocal more up front so we can hear a bit more of David?' So I said, 'Fine,' and did the mix with David more up front. The problem though is that with the vocal more up front, the other instruments have to drop back. Then, a couple of weeks later, I get a phone call from RCA, and they said 'You were right in the first place. We'll go with the original.'

According to author Nicholas Pegg, "Watch That Man" could be taken as "one of Bowie's most calculated changes of direction", to a more Stones-inspired dirty rock sound. Bowie himself suggested in the year of its release that it was a reminiscence of his introduction to the drug-fuelled American tour experience of late 1972.Rolling Stone magazine called it "inimitable Stones, Exile vintage. Mick Ronson plays Chuck Berry licks via Keith Richards, Garson plays at being Nicky Hopkins, Bowie slurs his lines, and the female backup singers and horns make the appropriate noises."


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