Walter Wanger
| Walter Wanger | |
|---|---|
 |
|
| Born |
Walter Feuchtwanger July 11, 1894 San Francisco |
| Died | November 18, 1968 (aged 74) New York City |
| Spouse(s) |
Justine Johnstone (1919–38; divorced) Joan Bennett (1940–65; divorced; 2 children) |
Walter Wanger (July 11, 1894 – November 18, 1968) was an American film producer active in filmmaking from the 1910s to the turbulent production of Cleopatra in 1963. Wanger developed a reputation as an intellectual and a socially conscious movie executive who produced provocative message movies and glittering romantic melodramas. Wanger was strongly influenced by European films, and made many productions geared towards international markets.
His career began at Paramount Pictures in the 1920s and led him to work at virtually every major studio as either a contract producer or an independent. Wanger served as president of the Academy of Motion Picture Arts and Sciences from 1939 to October 1941 and from December 1941 to 1945.
Wanger was born Walter Feuchtwanger in San Francisco, and pronounced "Wanger" to rhyme with "danger". He was the son of Stella (Stettheimer) and Sigmund Feuchtwanger, who were from German Jewish families that had emigrated to the United States in the nineteenth century. Wanger was from a non-observant Jewish family, and in later life attended Episcopalian services with his wife. In order to assimilate into American society, his mother altered the family name simply to Wanger in 1908. The Wangers were well-connected and upper middle class, something which later differentiated Wanger from the other Jewish film moguls who came from more ordinary backgrounds.
Wanger attended Dartmouth College in New Hampshire, where he developed an interest in Amateur theatre. After leaving Dartmouth, Wanger became a professional theatrical producer in New York City where he worked with figures such as the influential British manager Harley Granville-Barker and the Russian actress Alla Nazimova.
Following the American entry into World War I in 1917, Wanger served with the United States Army in Italy initially in the Signal Corps where he worked as a pilot on reconnaissance missions, and later in propaganda operations directed at the Italian public. It was during this period that Wanger first came into contact with filmmaking. In April 1918 Wanger was transferred to the Committee on Public Information, and joined an effort to combat anti-war or pro-German sentiment in Allied Italy. This was partly accomplished through a series of short propaganda films screened in Italian cinemas promoting democracy and Allied war aims. Wanger was very impressed with the potential of film to shape people's minds towards achieving a better-educated and more peaceful world.
...
Wikipedia