Walter Robinson (art critic and artist)

Walter Robinson (born 1950) is a New York-based artist and art critic. He has been called a "neo-Pop" painter, as well as a member of the 1980s "Picture Generation." As an art critic, Robinson is perhaps best known for coining the term "Zombie Formalism" to describe a kind of process-based abstraction that became popular in the contemporary art market in 2014.

Robinson was born in Wilmington, Delaware, and raised in Tulsa. He moved to New York to attend Columbia University in 1968. Subsequently, he graduated from the Whitney Independent Study Program in 1973. He lived in SoHo in the 1970s and the Lower East Side in the 1980s and '90s, and currently has a studio in Long Island City in Queens.

Robinson is a postmodern painter whose work features painterly images taken from covers of romance-novel paperbacks as well as still lifes of cheeseburgers, French fries and beer, and pharmaceutical products like aspirin and nasal spray. He also made and exhibited large-scale "spin paintings" in the mid-1980s, in advance of his colleague Damien Hirst.

A 2014 touring exhibition of Robinson's paintings included more than 90 works dating from 1979 to 2014. It premiered at the University Galleries at Illinois State University in Normal, IL, and subsequently appeared in Philadelphia at the Moore College of Art. The show's final stop was at the Jeffrey Deitch gallery in New York in September 2016.

Robinson's works have been exhibited at several New York galleries since the 1980s, including Semaphore Gallery and Metro Pictures. An exhibition of his paintings, paired with a poem by Charles Bukowski, "There's a Bluebird in My Heart," was on view in Spring 2016 at Owen James Gallery in Greenpoint, Brooklyn.

Robinson began writing about art in the 1970s, when he co-founded the art zine Art-Rite in New York's SoHo art district. He subsequently served as news editor of Art in America magazine (1980–96) and founding editor of Artnet Magazine (1996-2012). In 2013-14 he was a columnist for Artspace.com, where his essay on Zombie Formalism appeared.

He also served as art editor of the East Village Eye in the early ‘80s.

Robinson was also active in Collaborative Projects (Colab) in the early 1980s, and in the ‘90s a correspondent for Art TV Gallery Beat, a public-access television show. He was a cofounder of Printed Matter, Inc, the New York bookstore devoted to publications by artists.

...
Wikipedia